延邊女士風(fēng)味季（導(dǎo)演版）

★ 3.4 播放：23萬(wàn) 更新：2026-04-22

女主女人味十足，跟男友玩各種情調(diào)，卻又嫌男友沒(méi)錢，因此勾搭了另外一個(gè)富二代，富二代也是個(gè)花花公子，對(duì)女主垂涎已久，于是這筆無(wú)恥的性54交易就開(kāi)始了，富二代和女主開(kāi)始在各個(gè)地方瘋狂ML，各種姿勢(shì)，女主雖然也有想過(guò)自己之前的男友，但是為了愛(ài)情，她似乎覺(jué)得這性-/福生活就是她的幸福...

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劇情簡(jiǎn)介

女主女人味十足，跟男友玩各種情調(diào)，卻又嫌男友沒(méi)錢，因此勾搭了另外一個(gè)富二代，富二代也是個(gè)花花公子，對(duì)女主垂涎已久，于是這筆無(wú)恥的性54交易就開(kāi)始了，富二代和女主開(kāi)始在各個(gè)地方瘋狂ML，各種姿勢(shì)，女主雖然也有想過(guò)自己之前的男友，但是為了愛(ài)情，她似乎覺(jué)得這性-/福生活就是她的幸福...

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分享鎮(zhèn)

在阿什莉提出離婚后，凱里向好友朱莉和保羅尋求慰藉，卻發(fā)現(xiàn)這對(duì)表面幸福的夫妻實(shí)則奉行開(kāi)放式婚姻。但當(dāng)凱里逾越界限時(shí)，所有人的感情生活都陷入了混亂漩渦。

七月寒潮

　　出于自衛(wèi)，理查德射殺了侵入自己家中的陌生人。但是他不得不面對(duì)死者父親的殘忍報(bào)復(fù)。然而不久，敵對(duì)雙方就發(fā)現(xiàn)事實(shí)并不像表面展現(xiàn)的那么簡(jiǎn)單，他們不得不聯(lián)合起來(lái)面對(duì)黑暗的真相。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.