A片現(xiàn)場(chǎng)不NG

★ 3.2 播放：83萬(wàn) 更新：2026-04-27

又是一天忙碌的開(kāi)始，化妝師都筑帶著妝髮工具來(lái)到iV拍片現(xiàn)場(chǎng)，打點(diǎn)忙亂的多P溷戰(zhàn)拍攝工作。除了接連的突發(fā)狀況、情緒化的二百五導(dǎo)演、粗枝大葉的助理之外，都筑還得伺候任性難搞的紅牌女優(yōu)、強(qiáng)勢(shì)回歸的羅莉塔、極度樂(lè)觀(guān)的男人婆、不得志的非主流妹、首次上陣的清純新星。1間化妝室，5位個(gè)性迥異的iV女優(yōu)，24小時(shí)瘋狂趕拍。在狹小的換裝空間裡，每個(gè)人脫下外衣也卸下心防，交織出一段溫暖的人間喜劇。

在線(xiàn)播放

劇情簡(jiǎn)介

又是一天忙碌的開(kāi)始，化妝師都筑帶著妝髮工具來(lái)到iV拍片現(xiàn)場(chǎng)，打點(diǎn)忙亂的多P溷戰(zhàn)拍攝工作。除了接連的突發(fā)狀況、情緒化的二百五導(dǎo)演、粗枝大葉的助理之外，都筑還得伺候任性難搞的紅牌女優(yōu)、強(qiáng)勢(shì)回歸的羅莉塔、極度樂(lè)觀(guān)的男人婆、不得志的非主流妹、首次上陣的清純新星。1間化妝室，5位個(gè)性迥異的iV女優(yōu)，24小時(shí)瘋狂趕拍。在狹小的換裝空間裡，每個(gè)人脫下外衣也卸下心防，交織出一段溫暖的人間喜劇。

導(dǎo)演精選

觸碰我

一對(duì)互相捆綁的摯友，在生活崩塌之際，遇見(jiàn)了自稱(chēng)能治愈一切創(chuàng)傷的神秘男子布萊恩。他的觸碰如毒品般令人上癮，瞬間撫平焦慮與抑郁，卻在溫柔面具下藏著外星掠食者的獠牙。當(dāng)兩人受邀前往他的偏遠(yuǎn)莊園，這場(chǎng)“療愈之旅”徹底失控：觸手、血案、精神操控，一場(chǎng)以愛(ài)為名的寄生，正在吞噬他們的靈魂與世界。

猛虎末路

　　一輛德國(guó)虎式坦克的五名車(chē)組成員被派往戰(zhàn)火紛飛的前線(xiàn)后方執(zhí)行一項(xiàng)秘密任務(wù)。在德軍亢奮藥物的刺激下，他們的任務(wù)逐漸變成了一場(chǎng)深入黑暗之心的旅程。

公寓2024

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.