衣錦還鄉(xiāng)

　　多年前科學(xué)家進(jìn)行了一項創(chuàng)造完美人類的飾演，沒想到實驗過程中的細(xì)胞分裂不均勻?qū)е铝诉@個實驗只成功了一半，另一半則完全失敗?？茖W(xué)家創(chuàng)造出來的這對雙胞胎兄弟一個是完美人類的典型――德智體美全面發(fā)展的高大的朱利斯（阿諾?施瓦辛格 Arnold Schwarzenegger 飾）；另一個則是人類所有缺點的集合體――小矮個文森（丹尼?德維托 Danny DeVito 飾）。兄弟兩一出世就被分離，朱利斯被科學(xué)家送到南海的一個小島上撫養(yǎng)長大，而弟弟則在孤兒院度過了他的童年。　　直到兄弟兩已過不惑之年，他們才知道了對方的存在。朱利斯與未曾謀面的兄弟文森重逢后，兩兄弟決定踏上尋找親生母親之路。但是這時，一場意外給他們?nèi)莵砹藲⑸碇湣?/p>

　　瀟灑是一個船員，整天在海上漂泊，一去就是幾個月，他的媽媽和小妹阿珍都很擔(dān)心他。一天，瀟灑回到家，妹妹非常驚喜，可是他的媽媽并不開心，覺得他沒有出息。瀟灑很是委屈，于是借酒消愁。阿珍和她的媽媽靠開小店為生，每天，早晨都有很多出租司機(jī)來照顧她們的生意，其中有一位司機(jī)阿光對阿珍有意思，經(jīng)常來幫助她們。一天，政府通知他們，房子半年后要撤，但是他們一時又拿不出錢去買新的房子，為了籌錢，于是一家人在阿光的幫助……

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

　　雖然是三次面談之旅，但我覺得三次否認(rèn)叫Peter更合適；08,20-08,22FathomEvents,電影大概只有90分鐘，后附30分鐘interview分享一些信仰心得，恍然間有點以為看到了TheSunsetLimited(2011)的感覺，電影不合情理得把神實化（降臨），但又很合乎情理的在分享Paul的見證，所以最后interview有個問題是為何上帝沒有啟示我，這個問題答案就是：先求他的國和他的義，然后你才能見證他的神跡。