白白的世界

評分：2.4 播放：17萬 更新：2026-04-28

40來歲的King拋開了曾經(jīng)的拳擊生涯，在塞爾維亞一座落魄的礦城里經(jīng)營酒吧。多年前，他受到誘惑愛上了死黨Animal的妻子，結(jié)果導(dǎo)致Animal的喪命，Ruzica又被送去坐監(jiān)。Animal只留下了傻瓜弟弟Zlatan，無論是出于內(nèi)疚還是同情，King成了他的保護(hù)人。Ruzica出獄后嫁了一位好男人，他們的女兒Rosa個性卻十分狂野，命運(yùn)將她送到了King的身邊。 幕后制作 影片是一部發(fā)生在現(xiàn)代的歌唱（但沒有舞蹈）版的希臘悲劇，道德模糊的人物出于激情而并非理性活動，導(dǎo)演也不對他們的動機(jī)做出解釋。這部影片曾在2010年瑞士洛迦洛電影節(jié)競賽單元上映，并為扮演蛇蝎女郎的佳斯娜 杜里奇摘得了最佳女主角 　　

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室毅,木南晴夏,吉瀨美智子,菅野莉央,日向亙,入山法子,東根作壽英,本多力,早瀨憩,安達(dá)祐實(shí),村川繪梨,松尾諭,時任三郎,酒向芳,戶田惠子,渡部篤郎,濱津隆之

　　由于杏（平手友梨奈 飾）轉(zhuǎn)往美國的法律事務(wù)所，藏前（室毅 飾）失去了負(fù)責(zé)照看的律師，因此被所長暗示即將終止契約。剛好此時，他得知人氣“藝能型律師”樋口新（木南晴夏 飾）正準(zhǔn)備從事務(wù)所獨(dú)立開業(yè)。藏前隨即親自上門請求：“請務(wù)必讓我在您手下工作?！痹诒凰齑饝?yīng)的當(dāng)場，他慌忙簽了文件，卻不知道這正是“地獄的開端”。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

粗野派

阿德里安·布羅迪,菲麗希緹·瓊斯,蓋·皮爾斯,喬·阿爾文,拉菲·卡西迪,斯塔西·馬汀,艾瑪·萊爾德,伊薩赫·德·班克爾,亞歷桑德羅·尼沃拉,亞里安妮·拉貝德,米迦勒·埃普,喬納森·海德,彼得·多卡普,瑪利亞·桑德,澤潘·漢森·阿米薩,薩爾瓦多·桑索內(nèi),查理·埃索科,列文特·奧爾班,貝內(nèi)特·維爾曼尼,彼得·德意志,安娜·梅索伊,杰米斯·巴特勒,尼克·威特曼,娜塔莉·欣尼克,杰瑞米·惠勒,馬特·戴維爾,斯蒂芬·薩拉科,彼得·林卡,羅伯特·杰克遜,多拉·薩塔倫基

 故事圍繞匈牙利出生的猶太建筑師拉斯洛·托斯與妻子埃爾茲貝特展開。他們在二戰(zhàn)后逃離歐洲，前往美國重啟他們的事業(yè)，并見證了現(xiàn)代美國的誕生。然而他們的生活被一名神秘而富有的客戶改變了。

罪生咒

　　與丈夫離婚后，Alice必須承擔(dān)起單親母親的全部責(zé)任，照顧她全心全意愛著的兒子August，一個好奇的小男孩。他從小就對A、他的父親和他自己的故事充滿疑問。就連他的母親也從未談起過他的父親，August15歲那年，神秘的故事開始一點(diǎn)一點(diǎn)地跟隨他。他父親生前的囑托成為August從諾拉舞的秘密中發(fā)現(xiàn)恐怖的原因。在試圖讓他認(rèn)識到自己的業(yè)力同時，Alice相信理性和正義。Alice竭盡全力拯救她所愛的兒子。但她越是反抗并帶領(lǐng)August遠(yuǎn)離現(xiàn)實(shí)，詭異和奇怪的事件不斷升級，直到August陷入危險。決定返回尋找過去的真相。August生命危在旦夕，當(dāng)Lambam家的門打開時，里面的木樁從過去一直建到了現(xiàn)在，與她一起打開的是Lambam家的老管理員Cherd叔叔，他知道整個故事。業(yè)力和所欠的誓言已經(jīng)開始要求償還