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耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
亂馬12:決戰(zhàn)桃源鄉(xiāng)!奪回新娘子?。?/h3>山口勝平,林原惠美,日高范子,高山南,井上喜久子,大林隆介,緒方賢一,鈴置洋孝,山寺宏一,鶴弘美,佐久間玲,關(guān)俊彥,永井一郎,麻生美代子,真殿光昭,中島聰彥,飛田展男,二又一成,松尾貴司,西村朋纮
又一年的夏天來臨,在九能帶刀(鈴置洋孝 飾)的倡議下,天道道場的伙伴們決定結(jié)伴出海旅行,誰知航行中遭遇風(fēng)暴,眾人最終流落孤島。由于亂馬(山口勝平 飾)和八寶齋(永井一郎 飾)的打鬧,游艇的修繕工作遙遙無期。正在這時(shí),小霞姐姐神秘失蹤,最后連珊璞(佐久間レイ 飾)、小靡、右京也不見蹤影。在她們失蹤的現(xiàn)場,全部留下一只桃子。背后黑手原來是桃幻鄉(xiāng)的幻術(shù)王子桃磨,來到小島上的所有女孩都被擄走成為他的新娘候補(bǔ)。為了奪回親人和愛侶,亂馬他們注定要面臨一場惡戰(zhàn)……本片根據(jù)高橋留美子的漫畫《亂馬1/2》改編,系該動畫的劇場版。
祖魯
奧蘭多·布魯姆,福里斯特·惠特克阿里(福里斯特·惠特克 Forest Whitaker 飾)和母親是從曾經(jīng)慘絕人寰的種族屠殺中幸免于難的幸存者,雖然如今的他已然出人頭地成為了開普敦警局重案組的負(fù)責(zé)人,但兒時(shí)充滿了血腥和恐懼的回憶依然沉淀在他的內(nèi)心之中,陰影揮之不去?! 〔既R恩(奧蘭多·布魯姆 Orlando Bloom 飾)是阿里的下屬,他的家族成員曾經(jīng)是種族隔離活動中的激進(jìn)分子,不過這并沒能夠影響到他和阿里之間的信任和友誼。一連串兇殺案的發(fā)生和一種新型毒品的出現(xiàn)將城市推到了風(fēng)口浪尖,直到這時(shí),肩負(fù)著巨大壓力的阿里才發(fā)現(xiàn),那些他以為已經(jīng)成為過去的事情,其實(shí)并沒有真正的過去,也永遠(yuǎn)都不會過去。
嗜血族
Daut Shaikislamov,Syrym Kashkabayev,Kilishbek Kasimbekov,Asan Mazhit自古以來,民間就流傳著關(guān)於黑暗精靈澤斯蒂爾納克的傳說。這些神話生物擁有修長的利爪和非人的力量,以人類血液為食。如今,已無人相信他們的存在,但他們?nèi)耘f生活在我們之中。米拉斯是來自阿拉木圖的一個(gè)普通年輕人,卻被美麗又成功的女孩艾娜愛上。米拉斯的父母樂見兒子攀上這門好親事,並樂意與艾娜富有的家庭結(jié)為親家。然而,他們卻不知道,新親家那棟豪華宅邸的門後,隱藏著什麼樣的驚人祕密。
藏獒多吉
劉婧犖,阿蘭,芒萊,趙嶺,周志強(qiáng),王博,張遙函,趙曉明,張偉,李世榮,徐濤少年田勁的父母早年為了將西醫(yī)帶入藏地做出了無數(shù)的犧牲,由于無法適應(yīng)高原的生活,田勁的媽媽帶著尚在襁褓中的兒子返回內(nèi)地,爸爸拉格巴則在高原繼續(xù)著他的事業(yè)。數(shù)年過后,媽媽病故,無依無靠的田勁來到高原尋找爸爸,然而心中卻藏著無數(shù)的怨恨。拉格巴終日忙碌行醫(yī),任憑兒子自行學(xué)習(xí)牧羊。某天,田勁遭到狗熊的威脅,幸虧一只金色的藏獒相助,后來更因種種機(jī)緣讓他與這只名叫多吉的藏獒成為最親密的朋友。與此同時(shí),草原上出現(xiàn)了專門殘害生靈的惡魔,牧民的平靜生活被徹底打破……本片根據(jù)楊志軍的小說《藏獒》改編,由中日兩國聯(lián)合制作,日本著名漫畫家浦澤直樹還擔(dān)任了人設(shè)和導(dǎo)演的工作。
騙局2024
Dean Edwards,T.L. Flint,Aaron Berg一個(gè)自私自戀狂和他囊中羞澀的摯友雇傭了一名腐敗的公證人來欺騙他疏遠(yuǎn)的兄弟。公證人在一場意外事故中死亡后,他們精心策劃的計(jì)劃就失敗了。