春滿丹麥

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春滿丹麥 春滿丹麥 (1973) 　　

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春滿丹麥 春滿丹麥 (1973) 　　

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紐倫堡的審判

斯賓塞·屈塞,伯特·蘭卡斯特,理查德·威德馬克,瑪琳·黛德麗,馬克西米連·謝爾,朱迪·加蘭,蒙哥馬利·克利夫特,維爾納·克倫佩雷爾

　　講述二戰(zhàn)后在紐倫堡提審德國納粹計劃的法律關(guān)系者，三個被告提審的原因是給猶太人施行斷種手術(shù)。擔(dān)任主審判長的是美國人赫魯特，他主張其中兩個被告無罪；而德國司法部長亞林克竟對此事保持沉默，但檢查官羅森上校卻激烈的指責(zé)被告，因此三個人展開激烈的辯論。審訊繼續(xù)進(jìn)行下去。而美國的高級官員們希望能在審判中獲提德國所犯罪行的良好證明，因此對審判施以極大的壓力，但赫魯特堅守法律的正義立場，給予了最公正的判決。在宣布判決結(jié)果時，只有亞林對赫魯特審判長的態(tài)度表示贊賞。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

特工媽咪

寶拉·柯特萊西,斯特凡諾·弗雷西,托馬斯·阿拉納,特科·切里奧,雷莫·吉羅內(nèi),維尼喬·馬爾基奧尼,露琪亞·馬西諾,瑞奇·孟菲斯,葆拉·米納喬尼,詹保羅·莫雷利,克勞迪亞·潘多爾菲,亞歷山德羅·羅亞,Emanuele Armani,卡拉·西格諾里斯,Chiara Luzzi,Paolo Antonini,Veronica Bitto,Laura Buono,Jacopo Carta,Maria Di Giacinto

　　喬萬娜低調(diào)平凡，每天周旋于政府部門的會計工作、女兒的學(xué)?；顒?。在無趣的外表下，其實(shí)是一名執(zhí)行各種國際危險任務(wù)的特務(wù)。某天高中同學(xué)聚會，發(fā)現(xiàn)所有同學(xué)都跟她一樣，每天都有鳥事跟煩惱。這讓她下定決心，接下來的任務(wù)要幫助身邊所愛的人。透過浮夸的偽裝、經(jīng)歷爆笑的情況，她要扭轉(zhuǎn)人生，為朋友帶來正義！

重度催眠

謝君豪,王杍逸,何杜娟,趙美鈞,韓儲鴿,楊帆

三層的獨(dú)棟別墅里女孩發(fā)現(xiàn)了一具尸體，隨后警方及時趕到，經(jīng)檢查后在案發(fā)現(xiàn)場又陸續(xù)發(fā)現(xiàn)了另外兩名死者，和別墅的主人董醫(yī)生。陳兵帶隊檢查現(xiàn)場發(fā)現(xiàn)了幾處疑點(diǎn)……幸存的董醫(yī)生經(jīng)過治療逐漸恢復(fù)健康，并在醫(yī)院里向警察說出了一段怪異的經(jīng)歷，雨夜別墅里發(fā)生的一切，都逐漸明朗開來……

警長索恩：貪睡鬼

大衛(wèi)·莫瑞瑟,艾丹·吉倫

　　一起連環(huán)兇殺案吸引了警長索恩（大衛(wèi)·莫瑞瑟 David Morrissey 飾）的注意，這位窮兇極惡的兇手手中已經(jīng)有了三條人命，然而，第四名受害者卻僥幸逃過一死。警方和民眾都認(rèn)為這是兇手的百密一疏造就的結(jié)果。然而，可怕的是，沒過多久，索恩就發(fā)現(xiàn)，犯錯的不是兇手，而恰恰是自己，因?yàn)楸M管保住了一命，但這位幸存者卻無法提供任何情報?！　灼鹪谕粫r間、使用同一手法在兩個不同地點(diǎn)作案的謀殺案讓警長索恩十分警覺，隨著時間的推移，迷霧漸漸撥開，他發(fā)現(xiàn)，自己所要面對的并非僅僅一名嗜血?dú)埍┑臍⑷四酰莾蓚€在暗地里相互勾結(jié)、相互鼓勵的反社會分子。