影片推薦
黑蜥蜴1962
京町子,大木實,川口浩,葉順子,三島雅夫,目黒幸子,中條靜夫,久里千春春苗
李秀明,高寶成,達(dá)式常,林彬,白穆,于飛,李保羅,趙抒音,于元奇不是鬧著玩的
李易祥,于根藝,曹隨風(fēng),田華大奧普里圣誕夜
莎朗·勞倫斯,克里斯托弗·普拉哈,妮基·迪洛許,詹姆斯·丹頓,盧克·本沃德,羅勃·梅耶斯,布拉德·派斯里,比爾·安德森,帕姆·蒂利斯,Megan Moroney,米奇·蓋頓女人們的談話
魯妮·瑪拉,朱迪思·愛薇,艾米麗·米切爾,凱特·哈萊特,麗芙·麥克尼爾,克萊爾·芙伊,希拉·麥卡錫,杰西·巴克利,米歇爾·麥克勞德,基拉·古洛安,莎伊拉·布朗,弗蘭西斯·麥克多蒙德,薇薇安·安迪克特·道格拉斯,本·衛(wèi)肖,奧古斯特·溫特,洛克蘭·雷·米勒,納撒尼爾·麥克帕蘭德,威爾·寶,伊里·哈姆,艾米麗·德雷克,馬庫斯·克雷格,卡羅琳·吉利斯抵擋計劃
Donald Cerrone,凱利·林恩·萊特,Vincent E. McDaniel,布蘭迪·羅德里克,Chris Maher同類精選
儀式殺手
科爾·豪瑟,摩根·弗里曼,Murielle Hilaire,Vernon Davis水底驚魂
丹尼爾·祖瓦圖,邦妮·丹尼森,克里斯·康羅伊,喬尼·奧爾西尼,葛瑞芬·紐曼,Mackenzie Rosman,馬克·馬戈利斯蠟筆小新:灼熱的春日部舞者們
小林由美子,楢橋美紀(jì),森川智之,興梠里美,真柴摩利,林玉緒,一龍齋貞友,山寺宏一,瀨戶麻沙美,速水獎,賀來賢人,日高范子,寶龜克壽,坂本千夏,小峠英二,西村瑞樹坐穩(wěn)車,泰欣娜
卡蒂·奧廷寧,Kirsi Tykkyl?inen,馬蒂·佩龍帕戰(zhàn)刀屠狼2
王天野,景崗山,三浦研一,任悅鳴上天救命
曾志偉,鐘楚紅,吳耀漢,胡楓,何思嘉,秦沛,秦祥林,黃韻詩影視排行
壯志千秋
理查德·迪克斯,艾琳·鄧恩,埃斯特爾·泰勒,南斯·奧尼爾故事發(fā)生在美國西部大開發(fā)時期,燕西(理查德·迪克斯 Richard Dix 飾)帶著妻子莎布拉(艾琳·鄧恩 Irene Dunne 飾)千里昭昭來到了廣袤而又荒蕪的俄克納馬拉,心里懷揣著遠(yuǎn)大的理想,希望能夠在這里做出一番建樹。俄克納馬拉的生活環(huán)境十分艱苦和險峻,然而,夫妻兩人同心協(xié)力,慢慢改善和建立著他們的家園。在日子漸漸穩(wěn)定的過程中,在當(dāng)?shù)厣畹哪翀鲋鱾兏械剿麄兊睦媸艿搅饲址?,他們常常會找燕西的麻煩,卻又被燕西用智慧巧妙的化解。燕西十分同情在當(dāng)?shù)厣畹挠〉诎餐林?,與此同時,嫉惡如仇的燕西亦對壓迫和剝削原住民的資本家們充滿了仇恨,隨著時間的推移,雙方的矛盾漸漸尖銳起來。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
孤島巨蟒
程汁,唐慧,彭夢涵,吳泳茵,蘆偉游船遇風(fēng)暴沉沒,陸霆、女友陳清、李娜、陳清閨蜜馬櫻(陸霆前女友)漂至荒島。眾人遭巨蟒襲擊,得探險者遺物求生。馬櫻因妒生事,后聯(lián)合落難駕駛員王強,王強卻被巨蟒吞噬,馬櫻悔悟坦白。巨蟒擄走陳清,眾人設(shè)伏,馬櫻與巨蟒同歸于盡。數(shù)月后,陸霆、李娜乘直升機(jī)獲救。
老人與貓
阿特·卡尼,艾倫·伯斯汀,勒內(nèi)·恩里克斯哈利( Art Carney 飾)是個退休教師,終其一生都在為妻女奮斗,住在紐約上西區(qū)的他,一直沒有為自己追求什么,當(dāng)政府為了興建停車場而決定拆除哈利的房子,他打包行李帶著他最忠心的好友 Tonto 一同展開了一場跨越美國的旅程,他沿途拜訪子女與多年好友,也因此結(jié)識了許多新朋友...本片由 Paul Mazursky 執(zhí)導(dǎo),獲得1974年奧斯卡最佳男主角與金球獎喜劇音樂類影片最佳男主角。