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利刃出鞘2
丹尼爾·克雷格,愛德華·諾頓,加奈兒·夢(mèng)奈,凱瑟琳·哈恩,小萊斯利·奧多姆,凱特·哈德森,戴夫·巴蒂斯塔,杰西卡·亨維克,瑪?shù)铝铡た巳R因,諾阿·西甘,杰姬·霍夫曼,達(dá)拉斯·羅伯特斯,伊桑·霍克,休·格蘭特,史蒂芬·桑德海姆,安吉拉·蘭斯伯瑞,娜塔莎·雷昂,卡里姆·阿卜杜爾-賈巴爾,塞蕾娜·威廉姆斯,馬友友,約瑟夫·高登-萊維特,丹·查里頓,艾迪·戈羅杰茨基,亞當(dāng)·達(dá)文波特,詹姆斯·佩頓,杰克·塔珀月球叛軍2：烙印之人
索菲亞·波多拉,查理·漢納姆,加利·艾爾維斯,安東尼·霍普金斯,杰曼·翰蘇,裴斗娜,吉娜·馬隆,寇瑞·斯托爾,艾德·斯克林,米希爾·赫伊斯曼,斯圖爾特·馬丁,阿方索·埃雷拉,雷·費(fèi)舍爾,弗拉·菲,克利歐佩特拉·科爾曼,斯塔茲·奈爾,里安·里斯,湯姆·沃斯猩球崛起3：終極之戰(zhàn)
安迪·瑟金斯,伍迪·哈里森,斯蒂夫·扎恩,卡琳·考諾娃,阿米爾·米勒,泰瑞·諾塔里,泰·奧爾森,邁克爾·亞當(dāng)思韋特,托比·凱貝爾,加布里埃爾·查瓦里亞,朱迪·格雷爾,莎拉·坎寧,德文·達(dá)爾頓,阿萊克斯·潘諾維奇,亞歷桑德羅·朱利安尼,馬克斯·洛伊德-瓊斯,蒂莫西·韋伯還魂之迷失曼谷
范逸臣,李昕蕓,李媛,雪村蹂躪
布魯斯·鄧恩,安娜貝爾·德克斯特-瓊斯,埃里克·尼爾森,羅伯特·朗斯特里特,Joshua Brady,羅斯·帕特里奇,Chris Pinkalla,Drake Shannon,邁克爾·韋弗驚門
王子子,彭敬慈,陳芋米,佟月,王遠(yuǎn)達(dá)同類推薦
致命交友軟件
Alyssa Lynch,Mitch Ainley,塔緹娜·阿里,Bethany Brown,戴博斯·霍華德,本·威爾金森,艾莉森·巴思,Matt Hamilton,Priya Margaret Kooner19歲商務(wù)專業(yè)大學(xué)生Trina目睹了自己輔導(dǎo)過的女生Jade在車庫被撞死，但警方認(rèn)為是一起意外事件。為了支付大學(xué)費(fèi)用，Trina開發(fā)了一個(gè)獨(dú)特的約會(huì)APP軟件UPFRONT。在UPFRONT取得了巨大的成功之后，Trina無意中得知自己的APP被一些女生濫用為賣淫中心。正在Trina與朋友、導(dǎo)師商量是否需要關(guān)閉網(wǎng)站或者報(bào)警時(shí)，發(fā)現(xiàn)其中一個(gè)做應(yīng)召的女生在宿舍自殺。Trina在追查兩個(gè)女生的死因的過程中，發(fā)現(xiàn)導(dǎo)師的老公竟然是Jade的常客。在準(zhǔn)備和導(dǎo)師見面的過程中，發(fā)現(xiàn)導(dǎo)師被刺，最后的兇手竟然是瘋狂愛上Jade的院長(zhǎng)。最后在合作朋友的幫助下，將院長(zhǎng)繩之以法。
中轉(zhuǎn)停留
凱特·阿普頓,亞歷珊德拉·達(dá)達(dá)里奧,馬特·巴爾,馬特·瓊斯,卡爾·潘,邁克爾·本耶爾,艾米·阿內(nèi)克,喬·努內(nèi)斯,阿爾文·桑德斯,羅伯·考德瑞,莫莉·香儂,安吉拉·穆爾,約翰·卡西尼,詹妮弗·千,約翰·德斯崔,羅克·克里切洛,凱利·格澤爾,瑪麗·布萊克影片講述一對(duì)生活失意的閨蜜在旅行散心的途中遇到一位帥哥，兩人開始使盡渾身解數(shù)博得他的好感，閨蜜從此變仇人…
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
地下角斗士
戴拉·紹,黎唯,黎明Duke and Yan, two long time rivals, are competing in the world’s most dangerous underground fighting tournament, where powerful crimelords can gamble and influence who they fight, the terrain they fight on and what weapons will be used. In this high-stakes bloodsport where one wrong move can mean certain death, they must decide whether to play by the rules or to cast their honor aside and team up against the dark syndicate running the tournament and bring the entire system down.
大佛普拉斯
莊益增,陳竹升,戴立忍,張少懷,陳以文,納豆,丁國琳,李永豐,朱約信,雷婕熙,林美秀,小亮哥,游安順,梁赫群,脫線,鄭宇彤,魯文學(xué)菜埔（莊益增 飾）是一家雕塑廠的夜間保安，家中有一位重病的老母親需要照顧。肚財(cái)（陳竹昇 飾）是菜埔唯一的朋友，菜埔經(jīng)常在值夜班的時(shí)候把肚財(cái)叫過來和他作伴。一天，兩人突發(fā)奇想決定看一看菜埔的老板黃啟文（戴立忍 飾）的行車記錄儀里記錄了哪些影像，希望向來風(fēng)流的老板能夠貢獻(xiàn)出一些精彩的片段以解兩個(gè)獨(dú)身男人內(nèi)心里的寂寞之苦。行車記錄儀所記錄的影像果然沒有讓菜埔和肚財(cái)失望，但與此同時(shí)，兩人也發(fā)現(xiàn)了黃啟文的許多不可告人的秘密。實(shí)際上，菜埔和肚財(cái)?shù)囊慌e一動(dòng)皆沒有逃過黃啟文的眼睛，為了保住自己的地位和名聲，他決定采取一些必要的行動(dòng)。