劇情簡(jiǎn)介
娜京與正斌結(jié)婚，不久之后，她偶然碰到了她。 墜入愛河，在丈夫不知情的情況下住了兩所房子。 一天，他的密友敏珠發(fā)現(xiàn)了這個(gè)事實(shí)， 娜京將胡妮介紹給敏珠，并試圖掩蓋秘密。 娜京的丈夫鄭彬和來(lái)家里玩的敏珠見面 相信一個(gè)令人震驚的事實(shí)...
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春苗
李秀明,高寶成,達(dá)式常,林彬,白穆,于飛,李保羅,趙抒音,于元奇故事發(fā)生在文革前夕的1965年。婦女隊(duì)長(zhǎng)春苗（李秀明 飾）看不慣醫(yī)療衛(wèi)生大權(quán)把持在有資產(chǎn)階級(jí)思想意識(shí)的人手中，她主動(dòng)請(qǐng)纓到公社衛(wèi)生院學(xué)習(xí)，以期學(xué)成回村為貧下中農(nóng)服務(wù)。她不顧院長(zhǎng)杜文杰（白穆 飾）和醫(yī)生錢濟(jì)仁（馮奇 飾）的刁難排擠，在方明（達(dá)式常 飾）的幫助下，她刻苦鉆研專業(yè)知識(shí)，但杜與錢的所做所為還是讓她憤然離開了醫(yī)院。春苗回村后，在黨支部的支持下，她在村里的衛(wèi)生室做了一名赤腳醫(yī)生。1966年，文革開始后，杜文杰出于不可告人的目的，在公社辦起赤腳醫(yī)生培訓(xùn)班，春苗和其它村的赤腳醫(yī)生揭穿了杜文杰的陰謀，杜腦羞成怒，暗中下毒謀害水昌伯（高寶成 飾），并嫁禍春苗，春苗識(shí)破了杜的詭計(jì)......
靜水
泰勒·瑞特,Eric Michael Roy,卡蓮娜·布里奇,Paul Elia,Nino Aldi在明尼蘇達(dá)州北部的“邊界水域”中，六個(gè)老朋友之間的周末露營(yíng)之旅在神秘的環(huán)境下死亡后變得悲慘起來(lái)，隨著他們企圖在本集團(tuán)內(nèi)揭露殺手，引發(fā)進(jìn)一步的動(dòng)蕩。
凱多湖的消失
迪倫·奧布萊恩,伊萊扎·斯坎倫,黛安娜·霍佩爾,卡羅琳·?？?山姆·亨寧斯,埃里克·蘭格,勞倫·艾波羅絲,Nina Leon,蘭斯·E·尼克爾斯,大衛(wèi)·馬爾登那多,基姆·巴蒂斯特,Jody Sellers,Greysen Conley,Jules Hilillo Fernandez,Jennifer Sellers,Larry S. White II,A.C. Cooper,Zedrick Tinsley,Elizabeth Feliciano一個(gè)8歲的女孩神秘地消失在卡多湖上，一系列過去的死亡和失蹤開始聯(lián)系在一起，永遠(yuǎn)改變了一個(gè)破碎家庭的歷史。
銀瀑
James Ralph,艾瑞克·阿瓦利 Erick Avari,史蒂夫·巴西奇 Steve Bacic,杰德·拉姆西 Jade Ramsey,詹姆斯·C·伯恩斯,妮基塔·拉姆西 Nikita Ramsey,Alix Gitter,Tadhg Kelly,塔拉·維斯特伍德,James CavloA small town is haunted by the twin daughters of a wrongfully convicted man. Young Jordan is sent down the path to who the real killer is only to find the killer is very close to her.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
舞臺(tái)恐嚇
明妮·德里弗,米特·洛夫,艾莉·麥克唐納,道格拉斯·史密斯,肯特·諾蘭炎炎夏日，一輛輛黃色的校車載著熱愛歌唱和舞蹈的青年男女來(lái)到了一處郊外的夏令營(yíng)。孩子們興致勃勃，渴望在這里盡情釋放對(duì)音樂的熱愛。今年年輕導(dǎo)演阿特·蓋茨雄心勃勃，決定將十年沒有排演過的經(jīng)典名作《歌劇魅影》搬上舞臺(tái)。這一消息，令在廚房幫廚的卡梅拉（艾莉·麥克唐納 Allie MacDonald 飾）和巴迪（道格拉斯·史密斯 Douglas Smith 飾）深受觸動(dòng)。原來(lái)十年前，姐弟倆那身為著名歌劇演員的媽媽在《歌劇魅影》的演出后被人殺害。該事件讓他們封閉了自己，可是卡梅拉無(wú)法抑制心底對(duì)歌唱的渴望，終于她鼓起勇氣報(bào)名參加了女主角索菲婭的遴選。然而伴隨著她走向陽(yáng)光，十年前那個(gè)恐怖惡魔似乎也從沉寂中醒來(lái)…… 本片根據(jù)真實(shí)事件改編。
遺忘尼克
英格麗德·波爾索·貝達(dá)爾,露西·波爾,哈魯克·比爾根納爾,卡蒂婭·里曼,科斯馬·肖,羅伯特·西利格故事發(fā)生在車水馬龍的繁華大都市紐約，嘉德（英格麗德·波爾索·貝達(dá)爾 Ingrid Bols? Berdal 飾）是一名職業(yè)模特，擁有性感的身材和天使般的容貌，活躍在時(shí)尚秀場(chǎng)和雜志的封面之上?，斃麃啠巍と鹇?Katja Riemann 飾）性格溫柔又賢惠，獨(dú)自撫養(yǎng)著孩子，是一位堅(jiān)強(qiáng)而又樂觀的單身母親。這看似八竿子打不到一起的兩人，她們的生命卻因?yàn)橐粋€(gè)名叫尼克（哈魯克·比爾吉納 Haluk Bilginer 飾）的男人而被牢牢的拴在了一起，她們都曾瞎了眼和尼克有過一段失敗的婚姻，而根據(jù)婚前協(xié)議，兩人都被尼克安置到了位于曼哈頓的豪華頂層公寓之中?！ 蓚€(gè)性格迥異的女人之間，戰(zhàn)爭(zhēng)一觸即發(fā)。