即刻觀影
劇情賞析
編輯推薦
塵兔
大衛(wèi)·達(dá)斯馬齊連,麥斯·米科爾森,西格妮·韋弗,瑞貝卡·亨德森,希拉·阿蒂姆,索菲·斯隆,Wael Alroyly,Sute Zhao小女孩Aurora(Sloan)去尋求鄰居(米科爾森)的幫助：她相信家人被住在自己床底下的一個(gè)妖怪吃掉了，而這個(gè)鄰居恰巧是訓(xùn)練有素的殺手，并且確信Aurora的父母是被一群來(lái)殺自己的人給誤殺，于是，殺手的第一要?jiǎng)?wù)變成了保護(hù)小女孩的安全，兩人一起上路，并肩面對(duì)自身的惡魔。
AUNTY當(dāng)網(wǎng)紅
危境交戰(zhàn)
艾米·博特斯,普登絲·布特萊齊,法拉伊·奇古杜危險(xiǎn)且不可預(yù)測(cè)的任務(wù)！在這飽受戰(zhàn)爭(zhēng)蹂躪的國(guó)家，他能否改變現(xiàn)狀？ 麥可福斯特曾是一名士兵，后來(lái)成為承包商，他和他的團(tuán)隊(duì)發(fā)現(xiàn)自己在一個(gè)與內(nèi)戰(zhàn)殘余和秘密犯罪分子作斗爭(zhēng)的國(guó)家中執(zhí)行著一項(xiàng)危險(xiǎn)的任務(wù)…
捍衛(wèi)時(shí)空戰(zhàn)士
雷·利奧塔,蘭斯·亨利克森,斯圖亞特·維爾森,凱文·狄龍,凱文·J·奧康納,伊恩·麥克尼奇,杰克·謝菲爾德,邁克爾·勒納,埃涅·赫德森,Don HendersonRobbins is sentenced to prison for the assassination of his general officer, a prison you leave only when you die. Since nobody ever leaves the prison, nobody knows what the prison is like. The prison manager realizes this and buys himself an island playground called "Absolom," where the worst prisoners are free to create an isolated barbaric society, and where the strongest men rule...a living hell. Robbins is sent to Absolom after he almost kills the prison manager.
肥龍過(guò)江
甄子丹,毛舜筠,周勵(lì)淇,王晶,林秋楠,張繼聰,竹中直人,丞威,渡邊哲,王祖藍(lán),詹瑞文,陳友,伍允龍,林曉峰,周俊偉,林盛斌,泰臣,葉山豪,嚴(yán)華,喻亢,馮勉恒香港警察朱福龍（甄子丹 飾）因一次工作失誤慘被降級(jí)，萬(wàn)般無(wú)奈之際又遭未婚妻可兒（周勵(lì)淇 飾）悔婚，事業(yè)愛(ài)情的雙重打擊令他一蹶不振，暴飲暴食六個(gè)月后體重猛增到220磅！上司黃警官不忍其繼續(xù)墮落，委派朱福龍前往日本押送一名犯人，并承諾只要完成任務(wù)就可以為他恢復(fù)職位?？上?lái)到日本，倒霉的事件便接連在他身上發(fā)生，不僅財(cái)物盡失，連犯人也在押送途中逃脫了。幸好得到前香港警察瀟灑哥（王晶 飾）的幫助才得以暫時(shí)解困，為了完成任務(wù)找回犯人，朱福龍與瀟灑哥共同行動(dòng)，不料在查找真相的過(guò)程中發(fā)現(xiàn)了日本黑幫的驚天陰謀......
皆為好事
盧卡斯·德拉蒙德,Liev Carlos,吉列爾梅·提奧,諾瓦爾·伯巴里,Cecília Brito,Fernando Libonati,Igor Leoni,雷娜塔·卡瓦略,Lizz Miranda,Brenda Oliveira,Rafael Freire,Matheus Nascimento,吉?dú)W瓦多·索扎,Cuié,Luke,Rouxinol,Gleysson Moreira,Helder Amorim,Laio Andrade,Marcus ViniciusBeginning with a pivotal encounter between two men in Goiás in the 1980s, director Daniel Nolasco weaves a narrative that spans across time and, perhaps, multiple dimensions, driven by the intense forces of desire and love, as well as the suffocating weight of repression and silence. Nolasco, who was featured in Olhar’s Focus section during the pandemic, continues his distinctive and undefinable journey with a radically queer cinema that refuses to look away from the often paradoxical physical expressions of both desire and violence.