放大

評(píng)分:2.6 播放:12萬(wàn) 更新:2026-04-23

真相與幻想之間的界限是什么?感官是否能助我們認(rèn)識(shí)世界?影片用一個(gè)攝影師的故事,鋪開了一系列哲學(xué)、心理學(xué)的問(wèn)號(hào)。主角是攝影師托馬斯(戴維  David Hemmings飾),某天他在公園里抓拍到年輕情侶的系列照片,出人意表的是,照片中的一個(gè)女子簡(jiǎn)(瓦妮莎雷德格瑞夫 Vanessa Redgrave飾)竟然不惜一切代價(jià)要回她的底片。這讓托馬斯非常疑惑,他相信這張照片許是拍下了某些不可告人的秘密。果然,他把照片放大后,看到了一具尸體和一個(gè)拿著槍的人。一樁謀殺案的雛形在托馬斯腦中展開。他前往公園尋到了尸體,但沒有人肯相信他的推測(cè),朋友們不愿意和他一起調(diào)查這是怎么回事。第二天,當(dāng)托馬斯再次來(lái)到公園,發(fā)現(xiàn)尸體已經(jīng)消失無(wú)蹤。只剩下一群人進(jìn)行著一場(chǎng)虛擬的網(wǎng)球賽,打著并不存在的的網(wǎng)球。   

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四川好女人

何葦杭,趙若冰

We don't see the woman on the train moving through Sichuan, just the trees, rivers, lakes and houses passing by the window, vanishing behind the blur of vegetation, segmented by the tunnels.

大明嬪妃之登基

宋洋,何杜娟,朱一龍,陳一諾,王藝曈,王春妹,趙家林,陳思璇,關(guān)慧卿

  太子在上朝時(shí),建議由熊廷弼將軍去攻金兵。萬(wàn)歷在鄭貴妃面前吐了血,太醫(yī)說(shuō)活不過(guò)一個(gè)月。萬(wàn)歷心疼鄭貴妃說(shuō),我要讓你當(dāng)皇后,我不讓常洵當(dāng)皇帝是因?yàn)?,我想讓他享清福,過(guò)平民生活,我10年不理朝政,就是為了這種生活,而鄭貴妃心里卻很生氣。她不讓大臣和皇太子覲見。三皇子要去攻打匈奴,而鄭貴妃卻說(shuō),要讓常洵留京,否則太子會(huì)繼位后殺他。三皇子領(lǐng)一萬(wàn)精兵,鄭貴妃便要挾崔文生公公,把章印在假圣旨上,讓其子留京。王安公公為保護(hù)傳國(guó)玉璽,假意裝瘋。而其義子是鄭貴妃的人,一心要拿玉璽,一夜,王安見他上吊,便將玉璽藏在花瓶里,誰(shuí)知他詐死,拿走了玉璽。太子與大臣談話,梅兒見苗頭不對(duì),便放出芊芊,芊芊與樺兒相認(rèn),痛哭不止。蘭心和碧瑤去找王庭家的女眷,希望能救太子。萬(wàn)歷夜里睡覺,要喝水,可是鄭貴妃卻去拿玉璽,萬(wàn)歷駕崩了。太子有要事要進(jìn)宮,而三皇子不讓,芊芊趁機(jī)出來(lái),三皇子同意了,還要跟芊芊遠(yuǎn)走高飛。進(jìn)宮之后,知道皇帝駕崩,鄭貴妃出八雄。而金碧瑤以江南繡娘的名義進(jìn)宮,便讓女眷與八雄斗。梅兒在讓朱由校習(xí)武,鄭貴妃派人活捉太子之子,梅兒靈敏聰慧,救了由校一命。王安去找總教頭派御林軍救駕,熊廷弼將軍也回來(lái)了。芊芊為救太子,犧牲了。三皇子交出了令牌,太子答應(yīng)芊芊封她為福親王妃,芊芊便咽氣了。太子繼位,號(hào)泰昌,讓民眾減稅,讓壯士出征,喝了三大碗。封上官蘭心為敬賢妃,封金碧瑤為英德妃,李梅兒為李選侍。

惡魔的破壞 后篇

幾田莉拉,志水彩乃,種崎敦美,島袋美由利,大木咲繪子,和氣杏未,白石涼子,入野自由,內(nèi)山昂輝,坂泰斗,諏訪部順一,津田健次郎

  三年前的8月31日,“侵略者”巨大的母艦突如其來(lái)地降臨在東京,眼看這個(gè)世界即將迎來(lái)末日?! ∽源酥?,絕望漸漸地融入了日常生活;大大的飛碟盤旋于空中,今天也依然不變地持續(xù)環(huán)繞著世界。而在還沒有來(lái)到世界末日的此刻,小山門出、中川凰蘭這兩個(gè)高中女生的青春時(shí)代才正要展開。

我能有個(gè)見證人嗎

Keira Jang,吳珊卓,里斯·普雷斯利,Elmira Bashash,喬爾·歐萊特,Zaa Nkweta,Shaz Far,Casey Kenneth Wright,森田友希,本杰明·拉特納,派崔克·蓋勒,Naika Toussaint,安德烈·安東尼,多米尼克·盧基·馬泰爾,奧斯卡·查克,裘德·威爾遜,Cassandra Sawtell,特德拉·羅杰斯,Ally Battaggia,Kymo Van Oers

  Can I Get a Witness? tells the story of a mother and daughter in a near-future world where huge sacrifices are made to maintain life on Earth.  With its resources swallowed by e-waste and overpopulation, the world is experiencing an anthropogenic collapse. To manage, technological advances are shunned. Nobody has electricity and only people with exceptions are permitted cars. Most importantly, there is also a collective agreement that nobody is allowed to live beyond the age of 50.  Oh’s Ellie lives with her teenage daughter Kiah (Keira Jang), who is starting her first day as a Documenter, an important role in this new world order. She uses her artistic gifts — beautifully conjured in animations — to draw the dying ceremonies, since printing and photography have been banned.  Kiah is paired with Daniel (Joel Oulette), the young man who performs the contractual elements of each person’s end-of-life ceremony. He matter-of-factly provides the packages a person can choose, sets them up when the time comes, and performs the burials. But his new coworker is having a hard time handling the emotional impacts of the job.