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耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
開(kāi)放日
Anna Paquin,Stephen Moyer,Tricia Helfer,Jessica CollinsA couple on the verge of a nasty divorce attempt to sell their empty love nest and move on with their lives, separately. After a successful open house they are horrified to discover, days later, that a potential buyer didn't leave their home. While Alice is being held captive in the basement, the unannounced house guest moves in upstairs. She senses her capture is being kept a rebellious secret. She knows her way only way out if she can only get out alive.
安妮·霍爾
伍迪·艾倫,黛安·基頓,托尼·羅伯茨,卡羅爾·凱恩,保羅·西蒙,謝莉·杜瓦爾,珍妮特·瑪戈林,科琳·杜赫斯特,克里斯托弗·沃肯,唐納德·賽明頓,瓊紐曼,馬丁羅森布拉特,亨澤爾,拉舍爾·諾維科芙,拉塞爾·霍頓,馬歇爾·麥克盧漢,瑪麗·博伊蘭,約翰·多馬尼安,波波·馬羅夫,Rick Petrucelli,克里斯·甘佩爾,迪克·卡維特,馬克·雷納德,約翰·格洛弗,約翰·丹尼斯·約翰斯頓,勞麗·伯德,杰夫·高布倫,查爾斯·萊文,Johnny Haymer,邁克爾·阿羅寧,Ved Bandhu,Jim McKrel喜劇演員艾維·辛格(伍迪·艾倫 Woody Allen 飾)是這樣一個(gè)人:非常介意自己的猶太人的出身;自認(rèn)為有童年陰影,看了十六年心理醫(yī)生沒(méi)見(jiàn)好轉(zhuǎn)卻一直付錢(qián)看;有點(diǎn)阿Q精神,但對(duì)人生卻充滿(mǎn)消極;喜歡一直講無(wú)聊的笑話(huà)。正因?yàn)樽陨淼纳窠?jīng)質(zhì)特質(zhì),艾維經(jīng)歷了兩次失敗的婚姻。艾維 遇到了安妮(黛安·基頓 Diane Keaton 飾)――一直夢(mèng)想成為歌星的女孩,兩人漸漸墮入愛(ài)河。安妮在艾維的幫助下歌唱技巧迅速提高,但她的父母卻反對(duì)她與艾維來(lái)往。安妮得到了唱片商托尼的注意,獲邀前往好萊塢灌錄唱片,艾維跟著前往了好萊塢向安妮求婚。
航越地平線(xiàn)
妮可·基德曼,山姆·尼爾,比利·贊恩海軍軍官約翰·英格拉姆(薩姆·尼爾 Sam Neill 飾)和妻子蕾(妮可·基德曼 Nicole Kidman 飾)原本擁有一個(gè)幸福的家庭,但一場(chǎng)災(zāi)難摧毀了一切。在前往車(chē)站接丈夫的途中,蕾駕駛的汽車(chē)與他車(chē)相撞,坐在后座的幼子丹尼(Joshua Tilden 飾)因而喪生,這令夫婦倆陷入巨大的悲痛之中。為了彌合心靈的傷痛,約翰帶著蕾乘游艇前往海上度假。某日,英格拉姆夫婦搭救了聲稱(chēng)原本計(jì)劃?rùn)M渡太平洋卻遇難的男子休吉·瓦倫納(比利·贊恩 Billy Zane 飾)。本是善意之舉,卻無(wú)意中將夫婦帶入另一場(chǎng)災(zāi)難之中…… 本片榮獲1989年澳大利亞電影學(xué)院最佳攝影、最佳剪輯、最佳音效和最佳配樂(lè)四項(xiàng)大獎(jiǎng)。
愛(ài)爾蘭式告別
米歇爾·費(fèi)爾利,帕迪·詹金斯,James Martin,謝默斯·奧哈拉Set against the backdrop of a working farm in rural Northern Ireland, 'An Irish Goodbye' is a black comedy following the reunion of estranged brothers Turlough (Seamus O’Hara) and Lorcan (James Martin) following the untimely death of their mother (Michelle Fairley).Under the watchful eye of odd-ball parish priest Father O’Shea (Paddy Jenkins), the brothers’ pained reunion is worsened by the fact Turlough must now make new care arrangements for Lorcan, who has Down Syndrome. But when the brothers discover an unfulfilled bucket list belonging to their late mother, Lorcan senses an opportunity: he’ll only agree to leave the farm once he and Turlough have themselves completed every single wish on their mother’s list…all one-hundred of them.
人肉農(nóng)場(chǎng)
諾拉·葉莎耶,Alec Gaylord,Ken Volok,Rob Tisdale,Kelly Mis,David Air,Julie Meghan Brown,Gael Carrion,Jola Cora,Sandra Cruze,Rishi Das,Hollywood Lee DuPree,Catherine Farion,Giovanni Savoia Giò,Ryan GrindstaffA young couple gets kidnapped and treated like farm animals after stopping at a roadside diner to eat meat.