櫻唇

正義聯(lián)盟：無限地球危機(jī)(下)

　　Trapped in a pocket universe, surviving Earths face annihilation by the Anti-Monitor. Time shatters, bringing past heroes to aid Justice League against the epitome of evil. Their sacrifice may lead to victory.

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

會長的貼身?；?/h3>馮芷墨,熊蘇藝

　　單均銘為了保護(hù)母親一手創(chuàng)辦的成人皇家藝術(shù)學(xué)院不被拆遷建成商業(yè)街，收購了學(xué)校。準(zhǔn)備對學(xué)校進(jìn)行維護(hù)加建，卻遭到了誤以為他要拆學(xué)校的顧婉婉的強(qiáng)烈阻攔。單均銘為了不讓顧婉婉影響他對學(xué)校的改造進(jìn)度，強(qiáng)行將顧婉婉留在身邊，讓她沒時(shí)間搗亂。 兩人卻在相處的過程中互相吸引，單均銘發(fā)現(xiàn)自己愛上了顧婉婉，準(zhǔn)備向顧婉婉告白。 告白前夕，單均銘意外發(fā)現(xiàn)了顧婉婉就是五年前那個戲弄了他的感情，還間接害他聽力受損，不得不放棄學(xué)習(xí)音樂的人。單均銘決定報(bào)復(fù)顧婉婉。 直到顧婉婉傷心離開，單均銘才發(fā)現(xiàn)不管是五年前還是五年后，一切的事情，都是莊美言的設(shè)計(jì)，他誤會了顧婉婉。單均銘恍然大悟，最終找回了顧婉婉。

陰陽師2

　　平安時(shí)代，百鬼夜行，封鬼儀式正在右大臣藤原安麻呂府邸進(jìn)行。安麻呂之女日美子（深田恭子 飾）戎裝登場，一箭命中靶心，引來全場驚嘆。這位被喻為“連鬼都不敢接近”的公主，卻令源博雅（伊藤英明 飾）暗自傾心。天現(xiàn)異象，京都騷動，魍魎橫行。平安京已有四人遇害，民間出現(xiàn)驅(qū)鬼術(shù)士幻角（中井貴一 飾），日美子亦在異象后開始夢游。博雅為此替右大臣來請安倍晴明（野村萬齋 飾）商談。與此同時(shí)，宮廷供奉的出云三神器之一草薙劍也出現(xiàn)了異動。晴明受天皇所托，與博雅開始調(diào)查種種異況背后出云與大和的隱秘淵源?！　〔┭藕鸵箯椗玫纳衩厣倌觏氉簦ㄊ性廊?飾）相識為樂友，須佐負(fù)傷被日美子所救，三人在右大臣府邸相逢。同一時(shí)刻，右大臣主動找到晴明，坦白了十八年前天現(xiàn)異象時(shí)，大和攻打出云的事實(shí)……　　本片為電影《陰陽師》續(xù)作。

人偶之家

　　故事主角是失去五歲女兒芽衣的鈴木佳惠（長澤雅美）和丈夫忠彥（瀨戶康史）。沉浸在悲傷中的佳惠，在古董市場找到一個與芽衣非常相似的可愛洋娃娃，并開始呵護(hù)它，逐漸恢復(fù)了活力。但是，佳惠和忠彥有了新的女兒真衣之后，兩人就不再關(guān)注這個洋娃娃了。漸漸地，五歲大的真衣開始和洋娃娃玩耍，這個家庭接二連三地發(fā)生奇怪的事情。佳惠他們試圖擺脫這個洋娃娃，但無論扔掉還是供奉，這個洋娃娃卻莫名其妙地回來了！洋娃娃隱藏的秘密是什么？以及即將揭開的震撼真相是什么——！

猿山異聞錄

據(jù)傳聞，古時(shí)候有座山叫猿猴山，猿猴山有一國，名為猿國。猿國有一罕見白猿，猿國尊護(hù)白猿為神，稱“猿神”，百姓日夜供奉，祈求平安。近日，有傳言說“猿神”暴怒，不會再庇護(hù)猿國了，國主才會久病不起，導(dǎo)致猿國上下人心惶惶。為了穩(wěn)定民心，猿國國主請求太極村掌門延一道人幫助猿國調(diào)查傳言真相，讓百姓心安。延一道人派遣弟子玄城前往猿國協(xié)助，探尋背后真相。