年輕母親：最初
我做了一個夢 和你和黃楊睡在一艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan。金古和卓喜一直很開心，直到有一天，他們的女兒黃妍和另一個男人私奔回家。華妍和金古是一對在學校的夫婦，她懷孕了。所以事情很快就發(fā)生了，他們和黃楊的母親卓喜住在一起。然而，當華妍發(fā)現(xiàn)自己沒有懷孕時，就和另一個男人搭訕，然后離開了家。金古和卓喜在她離開的時候墜入愛河。華妍和另一個男人分手回家了。然而，她覺得金古還在她母親家里很奇怪。金古和趙希撒了各種各樣的謊來瞞著華妍。華妍想讓金古回來，卓熙盡量不讓她帶走他。金古也被困在中間，不知道該怎么辦
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劇情提要
我做了一個夢 和你和黃楊睡在一艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan。金古和卓喜一直很開心，直到有一天，他們的女兒黃妍和另一個男人私奔回家。華妍和金古是一對在學校的夫婦，她懷孕了。所以事情很快就發(fā)生了，他們和黃楊的母親卓喜住在一起。然而，當華妍發(fā)現(xiàn)自己沒有懷孕時，就和另一個男人搭訕，然后離開了家。金古和卓喜在她離開的時候墜入愛河。華妍和另一個男人分手回家了。然而，她覺得金古還在她母親家里很奇怪。金古和趙希撒了各種各樣的謊來瞞著華妍。華妍想讓金古回來，卓熙盡量不讓她帶走他。金古也被困在中間，不知道該怎么辦
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等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.