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艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機(jī)影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan
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空中輪胎
長瀨智也,藤岡靛,高橋一生,深田恭子,岸部一德,笹野高史,寺脅康文,小池榮子,阿部顯嵐,中村蒼,室毅,柄本明,佐佐木藏之介,升毅,谷村美月莫·吉里根:活在當(dāng)下
莫·吉里根拍得不錯(cuò)
方中信,周柏豪 ,張兆輝,蔡卓妍,盧海鵬,林雪,李燦森,應(yīng)采兒,苗僑偉,宣萱愛情抓馬
羅伯特·帕丁森,贊達(dá)亞,馬莫多·阿西,阿拉娜·哈伊姆,海利·蓋茨,佐伊·溫特斯,邁克爾·阿伯特,西德妮·萊蒙,亞亞·戈塞林,佩頓·杰克遜,喬丁·庫雷特,馬修·J·麥克勞克林,蒂埃雷·迪亞斯,克里斯托弗·C·詹姆斯,肖恩·福格蒂,蔡斯·布雷索夫,格瑞·科恩,艾可·坎貝爾,卡拉·科爾南·約瑟夫,馬克斯·德德里安,凱西·麥克尼爾非法入侵
尼古拉斯·凱奇,妮可·基德曼,本·門德爾森,麗亞娜·萊伯拉托,凱姆·吉甘戴,喬丹娜·斯皮羅,達(dá)什·米霍克,艾米麗·梅德,尼可·托托雷拉記憶裂痕:血親幻影
里羅·得萬托,法拉迪娜·穆夫提,馮尼·安格萊尼,Jordan Omar,Nova Eliza,Gambit Saifullah,Tony Merle,Sultan Hamonangan,Henry Manampiring人氣佳作
榮歸1978
簡·方達(dá),喬恩·沃伊特,布魯斯·鄧恩,佩內(nèi)洛普·米爾福,羅伯特·卡拉丁,羅伯特·金蒂,凱瑟琳·米勒反恐疑云
杰克·吉倫哈爾,瑞茜·威瑟斯彭,梅麗爾·斯特里普,艾倫·阿金,彼得·薩斯加德,奧瑪爾·梅特瓦利,艾格爾·納爾,哈達(dá)爾·拉特松·羅滕,J·K·西蒙斯,西蒙·阿布卡瑞安,莫阿·庫阿斯,奇內(nèi)布·烏凱什,阿拉米斯·奈特,Rosie Malek-Yonan,穆尼爾·馬戈姆,鮑勃·岡頓,雷曼德·阿薩雷米,Wendy Phillips,Christian Martin,哈薩姆·甘西,納吉布·尼西里,芭妮·里維拉,安妮·貝坦克特,理查德·多頓,Floella Benjamin,Michael Dube,斯蒂夫·湯姆,羅伯毛骨悚然撞鬼經(jīng) 15周年特別篇
稻垣吾郎,草彅剛,北乃綺,坂上忍,石原里美,小池徹平,桐谷美玲,菜菜緒,黑木瞳,町田啟太,剛力彩芽,島崎遙香,廣瀨愛麗絲,藤本泉浴血黑幫電影版
基里安·墨菲,麗貝卡·弗格森,蒂姆·羅斯,蘇菲·蘭朵,奈德·丹內(nèi)利,派克·李,伊恩·佩克,杰伊·利庫戈,巴里·基奧恩,斯蒂芬·格拉漢姆,薩米·喬納斯·希尼,魯比·阿什伯恩·瑟金斯,山姆·貝克-瓊斯,卡斯珀·希爾頓-希勒,馬丁·安格鮑爾,馬克·威爾金森,托馬斯·阿諾德,安迪·M·米利根,羅利·威爾遜,馬克斯·凱文漢姆導(dǎo)演精選
鱷魚變
一個(gè)女孩在被催眠下,講出了她身世的秘密,原來她的丈夫在結(jié)婚當(dāng)晚神秘消失,她多方尋找最后發(fā)現(xiàn)了丈夫身上的秘密,而她的丈夫竟變成了...
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
嘔吐戈?duì)?:慢性折磨嘔吐室
這是三部曲的最后一部,故事圍繞著將自己奉獻(xiàn)給撒旦的妓女展開。這部影片的內(nèi)容是極端而黑暗的,令人作嘔的情節(jié)屢屢出現(xiàn),充斥著暴力,性,裸體,體液!一群女孩子和一個(gè)男人摳喉嚨催吐,然后吃掉嘔吐物,再吐出來……