劇情簡介
“兩個女人”中的一個失戀后，與“兩個女人”中的另外一個中年女人一起出去玩兒，他們來到充滿肉欲的海灘邊兒，失戀女人以醉酒為常態(tài)。一次酒醉之后，在海灘上偶遇一個大屌絲，屌絲色心大起，將酒醉的女人醉奸了。隨后愛醉酒的女人又喜歡上一個有腹肌的屌絲，但威猛屌絲先被中年女人睡了。隨著情節(jié)一點(diǎn)點(diǎn)展開，它往詭異情色的方向繼續(xù)發(fā)展下去了……
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三塊廣告牌
弗蘭西斯·麥克多蒙德,伍迪·哈里森,山姆·洛克威爾,艾比·考尼什,盧卡斯·赫奇斯,彼特·丁拉基,約翰·浩克斯,卡萊伯·蘭德里·瓊斯,凱瑟琳·紐頓,凱瑞·康頓,澤利科·伊萬內(nèi)克,薩瑪拉·維文,克拉克·彼得斯,尼克·瑟西,阿曼達(dá)·沃倫,瑪拉雅·瑞沃拉·德魯,布蘭登·薩克斯頓,邁克爾·艾倫·米利甘米爾德雷德（弗蘭西斯·麥克多蒙德 Frances McDormand 飾）的女兒在外出時(shí)慘遭奸殺，米爾德雷德和丈夫查理（約翰·哈克斯 John Hawkes 飾）之間的婚姻因此走到了盡頭，如今，她同兒子羅比（盧卡斯·赫奇斯 Lucas Hedges飾）過著相依為命的生活。一晃眼幾個月過去了，案件仍然沒有告破預(yù)兆，而警方似乎早已經(jīng)將注意力從案子上轉(zhuǎn)移了開來。被絕望和痛苦纏繞的米爾德雷德租下了高速公路邊上的三塊巨型廣告牌，在上面控訴警方辦案無能，并將矛頭直接對準(zhǔn)了警察局局長威洛比（伍迪·哈里森 Woody Harrelson 飾）。實(shí)際上，威洛比一直隱瞞著自己身患絕癥命不久矣的事實(shí)。因?yàn)檫@三塊廣告牌，米爾德雷德和威洛比的生活發(fā)生了翻天覆地的變化。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
暗黑新娘！
杰西·巴克利,克里斯蒂安·貝爾,彼得·薩斯加德,安妮特·貝寧,杰克·吉倫哈爾,佩內(nèi)洛普·克魯茲,約翰·馬加羅,珍妮·柏林,路易斯·坎瑟米,馬修·馬希爾,朱莉安·浩夫,威廉·希爾,斯蒂芬妮·特洛亞克,馬西爾·摩丹,馬科·查卡,莉迪亞·凱莉,索菲婭·科,本·格林,伊蓮·阿普魯澤西,安東尼·貝里尼孤獨(dú)的科學(xué)怪人弗蘭肯斯坦（克里斯蒂安·貝爾 飾）來到了1930年代的芝加哥，懇請頂級科學(xué)家尤弗洛尼斯博士（安妮特·貝寧 飾）為他創(chuàng)造一位伴侶。兩人成功復(fù)活了一名被謀殺的年輕女子，“新娘”（杰西·巴克利 飾）就此誕生。然而事態(tài)發(fā)展卻遠(yuǎn)超兩人想象：謀殺接踵而至，占有欲瘋狂滋生，新娘能否掙脫“被創(chuàng)造”的命運(yùn)？在暗黑混沌的逃亡路上，一場女性覺醒風(fēng)暴開始席卷整個世界。
白石州往事
內(nèi)詳是中國獨(dú)立電影導(dǎo)演蔣潤庭創(chuàng)作的科幻小說，在番茄小說網(wǎng)連載，以虛構(gòu)城市白石州市爆發(fā)“WOC-13”新型狂犬病毒為背景，通過多角色故事展現(xiàn)末日危機(jī)下的人類求生選擇。
大器晚成2023
凱倫·吉蘭,瑪爾戈扎塔·扎亞茨夫斯卡,杰梅因·福勒,塔利亞·巴爾薩姆,凱文·尼龍,麥克斯·詹金斯,拉提法·赫爾德凱倫·吉蘭、瑪格麗特·蘇菲·斯坦、杰梅因·福勒、凱文·尼倫、塔利亞·巴爾薩姆將主演喜劇新片《大器晚成》(Late Bloomers)，麗莎·斯蒂恩首導(dǎo)劇情長片，已在紐約殺青。 斯蒂恩的多部短片搭檔安娜·格林菲爾德寫劇本，松散基于她20多歲時(shí)居住在布魯克林的經(jīng)歷，講述露易絲(吉蘭)是一個漫無目的的千禧一代，某天她醉醺醺地摔到了臀部，為此接受了物理治療，在那里結(jié)識了一位不會說英語的年長波蘭女士，兩人成為了閨蜜。而正是這種不太可能的友誼讓露易絲有勇氣面對她一直在逃避的事情：她母親的早發(fā)性老年癡呆癥。 福勒飾演露易絲的室友/房東布里克，尼倫和巴爾薩姆飾演露易絲的父母。
奉魔之名
索菲·瓦瓦塞爾,史蒂芬·比靈頓,Richard Felix,喬·安妮·斯托克漢姆,Lazzaro E. Oertli Ortiz,Isamaya Ffrench,托米·巴斯托,Emma Reynolds,道格·布拉德利,Brendan Price,Clàudia Costas,Cristina Cervià,Francesc Ten,Joan Roca,Pere Raich正值青春期的少女艾瑪（蘇菲·瓦瓦希爾 Sophie Vavasseur 飾）因小事與父母發(fā)生爭吵，繼而用玻璃碎片割破自己的手掌。在此之后，父母子女的關(guān)系雖有所松動，但是新的危機(jī)已悄悄展開。艾瑪是不是會做出些奇怪的舉止，這令父母異常擔(dān)心，于是只得將艾瑪留在家中接受教育。期間他們嘗試帶女兒去看具有催眠本領(lǐng)的心理醫(yī)生，誰知醫(yī)生最終猝死艾瑪?shù)南ド?。艾瑪自感自己已被魔鬼附體，因此不顧崇尚科學(xué)的父母的反對，執(zhí)意求助于因驅(qū)魔失敗而被革除神職的舅舅基斯（道·布萊德利 Doug Bradley 飾）?！ 』顾坪鯘u漸證實(shí)了艾瑪?shù)牟聹y，而她體內(nèi)那股邪惡的力量也變得越來越強(qiáng)大……
寶塔鎮(zhèn)河妖之詭墓龍棺
彭愚厶,曾妮,何其煒,王怡雯,郭野,周升清朝末年，城中百姓多數(shù)染上怪病。關(guān)心國家命運(yùn)的禾苗希望張孝智助自己到水下地宮取得寶藏。但另有幾方勢力為了獲得地宮寶藏展開了一場大亂斗。最終，眾人發(fā)現(xiàn)所謂的寶藏根本子虛烏有。而導(dǎo)致盛京變成人間地獄的根源也非妖魔鬼怪，而是日本人人體試驗(yàn)的陰謀。 張孝智與禾苗、兄弟錢眼兒、棄暗投明的黑風(fēng)雙煞最終不計(jì)自身安危地準(zhǔn)備解救盛京的危局……