左鄰右裏
這對(duì)夫婦已經(jīng)改變了暫無內(nèi)容！彼此暫無內(nèi)容！暫無內(nèi)容暫無內(nèi)容恩濟(jì)和承浩、暫無內(nèi)容李成植和裕跑搬到鄰里在相同的時(shí)間。恩濟(jì)是孤獨(dú)的因?yàn)樗恼煞蚪?jīng)常晚睡和晟錫照顧房子的而他的妻子。暫無內(nèi)容一天，盛錫去恩濟(jì)房子能返回包卻會(huì)和她一起喝酒。盛錫忘情親吻銀集鎮(zhèn)和兩個(gè)晚上在別人的懷里。他們繼續(xù)滿足偷偷那樣一天對(duì)他們的丈夫和妻子撒謊和一起離開上一次旅行。然而，盛錫返回家里因?yàn)樗兴芎豌y集鎮(zhèn)見證了她的丈夫和女人隔壁，金周跑一起在床上。幾個(gè)月以后，盛錫銀集鎮(zhèn)、暫無內(nèi)容承浩、暫無內(nèi)容金周跑運(yùn)行到彼此，但用不同的伙伴......暫無內(nèi)容你與你愛的人??？
即刻觀影
劇情賞析
編輯推薦
我的阿米什人雙重生活
萊克西·邁恩特里,萊薩·威爾遜,Rachel Coopes父親神秘死亡后，年輕的阿米什女子艾瑪想要體驗(yàn)一些不同的東西，于是，她背著母親瑪麗，在朋友麗貝卡的幫助下，逃到英國(guó)世界去參加朗姆酒聚會(huì)。在那里，她遇到了白馬王子希思，他讓她愛不釋手。但她與他的夢(mèng)幻約會(huì)被打斷了，因?yàn)樗蚓o急工作被叫到另一座城市。莎拉獨(dú)自留在家里體驗(yàn)現(xiàn)代世界的所有便利設(shè)施，她的生活很快變成了一場(chǎng)噩夢(mèng)，她在廚房發(fā)現(xiàn)了一具尸體，不久之后，被一個(gè)神秘人物打昏?；謴?fù)意識(shí)后，她決定逃回阿米什人的生活并躲起來，但是當(dāng)偵探敲門詢問時(shí)，她意識(shí)到她必須自己尋找兇手。
鬼悚歷險(xiǎn)3D
阿瑪雅·薩拉曼卡,馬克西·伊格萊西亞斯,Lucho Fernandez心理學(xué)專業(yè)學(xué)生安吉拉（Amaia Salamanca 飾）分外擔(dān)心她的期末學(xué)分，在教授的建議下，這個(gè)一向不相信超自然的女孩決定去探訪一座早已廢棄的礦區(qū)小鎮(zhèn)Susurro，那里曾經(jīng)有一個(gè)嗜血如命的馬特加醫(yī)生，傳說他的惡靈至今還在小鎮(zhèn)上游蕩，殘害偶然闖入的人們。為了證明馬特加醫(yī)生的傳說子虛烏有，也為了順利通過考試，安吉拉和她具有較強(qiáng)第六感的妹妹戴安娜（Alba Ribas 飾）以及同學(xué)喬西（Maxi Iglesias 飾）、托尼（óscar Sinela 飾）、貝蘭（úrsula Corberó 飾）、卡羅斯（Lucho Fernández 飾）驅(qū)車前往那個(gè)荒涼陰森的邊遠(yuǎn)小鎮(zhèn)。 借助精密儀器和戴安娜的配合，他們似乎真的將馬特加醫(yī)生喚回了人間，而死神也一步步向他們靠近……
曼谷保鏢2
Petchtai Wongkamlao,Tony Jaa⊙《曼谷保鏢2》的故事： 影片故事講述拔泰王錦魯飾演的東南亞某小國(guó)特工翁坤，為了調(diào)查一伙恐怖份子，秘密潛入泰國(guó)曼谷執(zhí)行任務(wù)，并化裝成為流行歌星，混入唱片公司追查。他老婆并不知道他的真實(shí)身份，因?yàn)槲汤な莻€(gè)十足的“妻管嚴(yán)”，但要命的是，他在泰國(guó)無可救藥愛上了一個(gè)漂亮美眉……與此同時(shí)，恐怖份子也要發(fā)動(dòng)大規(guī)模襲擊了，翁坤如何能制止這場(chǎng)破壞？ ⊙《曼谷保鏢2》的看點(diǎn)： 繼2005年大賣座的第一集之后，《曼谷保鏢》于今年拍出了續(xù)集，有“泰國(guó)周星馳”之稱泰國(guó)喜劇明星拔泰王錦魯繼續(xù)自編自導(dǎo)自演，繼續(xù)請(qǐng)來《拳霸》東尼·嘉參與演出。影片向周星馳、成龍電影偷了師，并且自己惡搞了《拳霸》《冬蔭功》等片，拔泰王錦魯（《拳霸》另一主演）演出非常出彩過癮。Tony Jaa則之是客串身份，在片中有一場(chǎng)打斗，另外自己還拿《冬蔭功》開涮，十分的“搞”。
旅行者的需求
伊莎貝爾·于佩爾,李慧英,權(quán)海驍,趙允熙,河成國(guó)來自法國(guó)的旅行者伊麗絲在韓國(guó)擔(dān)任法語(yǔ)家庭教師賺取生活費(fèi)。語(yǔ)言的隔閡讓她和學(xué)生之問的交流充滿錯(cuò)位感，東亞文化中不善于思考和表達(dá)內(nèi)心情感的“痼疾"又與渴望交流與開放的心態(tài)交織在一起，觸發(fā)了只有異國(guó)旅行者才能感受到的特殊孤獨(dú)與惆悵。被譽(yù)為韓國(guó)作者電影第一人的導(dǎo)演洪常秀繼《在異 國(guó)》《克萊爾的相機(jī)》之后與法國(guó)國(guó)寶級(jí)女演員伊莎貝爾·于佩爾再度合作，用極簡(jiǎn)主義的拍攝手法呈現(xiàn)細(xì)致入微的人際關(guān)系精妙互動(dòng)，斬獲2024年第74屆柏林國(guó)際電影節(jié)評(píng)審團(tuán)銀熊獎(jiǎng)。
嚦咕嚦咕新年財(cái)
劉德華,劉青云,古天樂,梁詠琪,應(yīng)采兒,王天林,湯盈盈,黃文慧,龍?zhí)焐?洪偉良,阮令濤,西川孝和,鄒凱光德華（劉德華飾）喜歡打牌，以打牌為生的他出名好牌技好牌品，與他相戀多年的詠琪（梁詠琪飾）因?yàn)榕破凡?，始終沒能與德華結(jié)為連理，令她頓足。德華的弟弟天樂（古天樂飾）知道哥哥要以打牌為生養(yǎng)活患有癡呆癥的母親和正在讀書的自己，決定跟青云（劉青云飾）打牌比試，誰知連連落敗。 一次牌局中，詠琪不甘被德華以牌品的問題多次推搪婚約，便咀咒他從此“一世摸爛牌”，跟著同樣拜師不成的青云離開了?！ 【字湔娴撵`驗(yàn)了，使德華家道中落，但一向樂觀的他深信自己的“好朋友”會(huì)回來的。在弟弟公司舉行的麻將大賽中一路穩(wěn)打穩(wěn)扎，與青云再次對(duì)壘，最后能否獲勝呢？
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.