妻子租賃服務(wù)

告白

 一所平凡的中學(xué)，1年B組即將迎來春假。不知天高地厚的學(xué)生們肆意吵鬧，殊不知一場綿亙數(shù)月的風(fēng)暴正向他們襲來。級任教師森口悠子（松隆子 飾）全然無視這片混亂，靜靜地向?qū)W生們做出最后的告白。這個(gè)單親媽媽獨(dú)自撫養(yǎng)著可愛的女兒（蘆田愛菜 飾），然而女兒最終在游泳池中溺水身亡。警察 認(rèn)定這是一起意外，森口則認(rèn)定女兒死于班上兩個(gè)學(xué)生之手。她不動聲色地指責(zé)著犯人A和B，并宣布用自己的方式進(jìn)行復(fù)仇。在此之后，森口辭去教師職務(wù)，1年B班的學(xué)生也心懷惴惴迎來了春假。新學(xué)期開始，殘酷的風(fēng)暴襲向了這群無知無畏的少男少女……本片根據(jù)湊かなえ的原作改編，并成為2010年電影旬報(bào)十佳影片；第34屆日本電影學(xué)院獎(jiǎng)最佳作品、最佳導(dǎo)演、最佳劇本和最佳剪輯4項(xiàng)大獎(jiǎng)。

克里斯蒂

　　影片講述美國著名拳擊運(yùn)動員、“女洛奇”克里斯蒂·馬丁的故事?？死锼沟賮碜悦绹鞲ゼ醽喼菪℃?zhèn)一個(gè)相對保守的家庭，當(dāng)時(shí)她作為一個(gè)年輕的女同性戀者不被允許做自己，所以用拳擊作為表達(dá)自己和憤怒的工具。她必須在生活中做出一些危險(xiǎn)而根本的妥協(xié)，其中最嚴(yán)重的是嫁給一個(gè)極其危險(xiǎn)的男人?！　?989年，馬丁遇到了她的經(jīng)紀(jì)人、后來的丈夫吉姆·馬丁，生活發(fā)生了轉(zhuǎn)變。她打破界限，成為第一個(gè)與金牌拳擊推廣人唐·金簽約的女性，也是唯一一個(gè)登上《體育畫報(bào)》封面的女拳擊手?！　】死锼沟俚镊攘?、漂亮外表和對賽場的適應(yīng)為她贏得了狂熱的粉絲群，并推動她成為次中量級冠軍。但在精心塑造的公眾形象背后，她面臨著個(gè)人內(nèi)心的惡魔、有毒的人際關(guān)系以及一次致命的謀殺事件。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

左拉傳

 威廉．狄特爾執(zhí)導(dǎo)的這部影片獲得了第十屆奧斯卡最佳影片等三個(gè)獎(jiǎng)項(xiàng)。故事描述法國文壇巨匠左拉的一生經(jīng)歷，以及他為了正義而不屈不撓的精神。重點(diǎn)講述他為軍官德雷?？怂蛊椒丛┌笗r(shí)的遭遇和他不畏強(qiáng)權(quán)勢力的正義感。保羅．茂尼和約瑟夫．史屈克勞的演出精彩令人難忘，就幾場法庭辯論戲這部分而言，本片也可視為法庭電影的先鋒。

浴血困牛山

 首次揭秘長征紀(jì)實(shí)事件，1934年中央蘇區(qū)第五次反圍剿失敗，紅六軍團(tuán)奉命西征，進(jìn)入貴州石阡，一場戰(zhàn)役后，800多名紅軍消失在石阡困牛山，解放后中央多次尋找未果。70年后少數(shù)民族一個(gè)奇怪風(fēng)俗揭開了謎底，紅18師52團(tuán)為了掩護(hù)軍團(tuán)主力突圍，為了不暴露主力行動方向，他們將敵人引至困牛山，面對數(shù)倍的敵人浴血奮戰(zhàn)，戰(zhàn)斗至最后，狠毒的敵人拿老百姓當(dāng)人肉盾牌，危機(jī)時(shí)刻， 100 多名紅軍戰(zhàn)士為了不誤傷百姓，寧死不當(dāng)俘虜，全部跳崖壯烈犧牲。被稱為是中國軍史和世界軍史上的奇跡和壯舉！

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