在線播放
劇情簡(jiǎn)介
二十多年前,法考三度落榜的法律大專生孟中(黃曉明 飾),內(nèi)心充滿絕望。一個(gè)漆黑的雨夜,他將積壓已久的苦悶與憤怒,發(fā)泄在一個(gè)醉酒乘客身上。時(shí)過境遷,孟中已成為名聲在外的公益律師,在一次調(diào)查少女猥褻案的過程中,一名叫魏嫻(王影璐 飾)的女孩喚醒了那個(gè)雨夜的記憶,而這一切的背后,他似乎不斷聽到那場(chǎng)噩夢(mèng)的回音:我知道你的秘密…… 影片改編自真實(shí)故事。
同類好片
我們埋葬死者
黛西·雷德利,布倫頓·思韋茨,馬克·科爾斯·史密斯,馬特·惠倫,Chloe Hurst,金姆·杰克遜,Dan Paris,Deanna Cooney,Nicola Bartlett,Kim Fleming,Kingsley Judd,Salme Geransar,Elijah Williams,Luke Jai,Megan Hollier,Steve McCall,大衛(wèi)·佐納,Matthew Parkin,Jimmy Duncan,Bruce Denny狄仁杰之彼岸奇花
陳浩民,尚娜,劉金,金寧,崔冬辰,陳宇星,劉威州深淵未遠(yuǎn)
Jamie Woods,Isabella Mangano,Jacob Pontil-Scala,米利亞娜·坎卡爾,Andy Steuart,Isobel Lauber陰陽師0
山崎賢人,染谷將太,奈緒,安藤政信,村上虹郎,板垣李光人,國(guó)村隼,北村一輝,小林薰賭俠大戰(zhàn)拉斯維加斯
劉德華,張家輝,陳百祥,林熙蕾,郁芳,萬梓良,李菲,王晶,南燕突破二十五馬赫
凱特·卡普肖,莉·湯普森,凱利·普雷斯頓,拉里·B·斯科特,華金·菲尼克斯,泰特·多諾萬,湯姆·斯凱里特,巴里·普賴默斯人氣佳作
恐怖高速
艾琳·迪茨,西蒙·飛利普斯,Shannon Dalonzo,約翰·D·??寺?賈斯汀·戈登,James Politano,Jessica Gray,Briahn Auguillard,Robin Bookhout,Heather Rozzo醫(yī)神
張達(dá)明,蔡少芬,伍詠薇,黎耀祥,雷宇揚(yáng),徐錦江,梁榮忠,許紹雄,莫少聰,傅明憲,朱潔儀,陳國(guó)邦,陳怡芳,高林生童使
瀧澤秀明,有岡大貴,門脅麥數(shù)碼寶貝大電影五:冒險(xiǎn)者的戰(zhàn)斗
野澤雅子,津村真琴,多田葵,山口真弓,今井由香,折笠富美子,金田朋子,金光宣明,松谷彼哉,金子由之,永野愛,三石琴乃,小野健一,佐伯志,松尾銀三,津久井教生,坂本千夏,小杉十郎太導(dǎo)演精選
真正的痛苦
為紀(jì)念逝世的奶奶,許久未見的堂兄弟大衛(wèi)與班吉相約前往波蘭參加導(dǎo)覽團(tuán),也順道探訪奶奶的老家。一路上,班吉有話直說、率性風(fēng)趣的性格迅速與同團(tuán)人士拉近距離,令木訥拘謹(jǐn)?shù)拇笮l(wèi)既焦慮又羨慕,壓抑已久的情緒日益沸騰。然而,隨著旅途種種安排不斷挑動(dòng)班吉的敏感神經(jīng),他的狂放不羈似乎逐漸走向失序,大衛(wèi)試圖息事寧人,但內(nèi)心的不安卻席卷而來。這趟尋根之旅,能否解決彼此心底難以言說的痛楚?
掏出你的手帕
這是一位始終以兩性關(guān)系、婚姻道德為主題的電影作者,這部獲得奧斯卡最佳外語片的《掏出你的手帕》也不在例外。關(guān)于影片,布里耶是這樣解釋的:“表面上看這是一部怪誕的電影,但實(shí)際上這是一部徹底顛倒道德標(biāo)準(zhǔn)的片子,不過表現(xiàn)得比較委婉且具有魅力。如果仔細(xì)觀察就可以看出,所有的道德價(jià)值都被顛倒了,所有的道德傳統(tǒng)都被拋到了一邊。人物的思想狀態(tài)正處于一種極端混亂的時(shí)期,今天你也許還不會(huì)把妻子當(dāng)作禮物送給別人,但也許將來你就可以做到了。”
公寓2024
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.