水手服百合族1983
クラスメイトの美和子となおみは仲良しレズビアンだ。二人は密かに全裸で抱き合い、お互いを愛撫しあって禁斷の陶酔にひたっていた。美和子はバージンだが、”バイ”のなおみは一平というボーイフレンドがいる。 ある日、生理のないなおみは、妊娠したと思い一平に詰め寄るがまったく取り合ってくれない。そんな二人を美和子は嫉妬の眼で見つめていた。大好きななおみの戀人の一平が、だんだん気になる存在に思えてきた。 數(shù)日後、生理のあったなおみはルンルンで一平と仲直り、美和子は帰っていいよと冷たくされたようで傷つく。 一人寂しい帰り道、美和子は、東大一直線のガリ勉?公夫と出會った。美和子に好意を持つ公夫は彼女を連れ込み淫寫を始め、終いには局部を見せてほしいと迫るが、美和子は挑発しつつも肝心なところで出て行ってしまう。 ある晩、美和子は団地に住む良江に聲を掛けられる。誘われて愛撫..艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機(jī)影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan
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港之光
館博,尾上真秀,真榮田鄉(xiāng)敦,黑島結(jié)菜,齋藤工,瀧正則,一之瀨亙,山野仁,赤堀雅秋,市村正親,宇崎龍童,笹野高史,椎名桔平最后的KPI
帕拉帕蒙通·伊埃猜,帕奧佩茨·查倫舒克,查納坎·拉塔納烏東,萍瑪達(dá)·柴莎索恩,黛莉娜·班楚貓小姐莫西
芭芭拉·薩拉菲安,Sarah Bannier,彼特·恩布雷希茨柔情摯我
薇姬·克里普斯,莫妮亞·喬柯里,維果·費雷拉-雷迪爾,安托萬·賴納茨,費奧多爾·阿特金,樸智敏,Manuel Vallade,奧拉利亞·佩蒂特,薩利夫·西塞,朱利安·德·圣·讓,瑪洛·赫比齊,安娜·西加勒維奇,Tallulah Cassavetti,安東尼·米切爾,烏姆尼亞·哈納德真犯
宋清晨,柳善,張赫鎮(zhèn),吳珉錫,鄭海鈞,韓秀妍,鄭熙泰,申賢德,尹頌雅,張英,俊賢淑丹鳳眼
陳虹妤,麥肯娜·格瑞絲,麥特里伊·拉瑪克里斯南,鄔君梅,阿梅莉·齊爾伯,杜方,伊蓮·亨德里克斯,梅根·海耶斯,克里斯汀·崔,夏洛特·安·塔克,布里頓·韋伯,Callie McClincy,Scott Deal,薩拉·科普金,R.基斯·哈里斯,喬納森·D·威廉斯,馬龍·托馬斯,伊麗莎白·潘,Cecelia Specht,Katy Wilson,馬克·德米特同類推薦
無懼神明
莉頓·梅斯特,托比·瓊斯,本·巴恩斯,哈威·凱特爾,肯尼·沃莫爾德 ,里特奇·科斯特,保羅·本-維克托,Slaine,William Xifaras,Jay Giannone,Julie Ann Dawson,Stacey Queripel,Billy 'V' Vigeant,Armen Garo,Michael Yebba影片的故事發(fā)生在波士頓,巴恩斯扮演的尼克是一位意大利裔的美國年輕人,躊躇滿志的他加入波士頓黑手黨,決心開創(chuàng)一番事業(yè),卻發(fā)現(xiàn)這個犯罪組織早已不復(fù)昔日之勇?! ∮谑悄峥吮持睦习澹ā堵渌贰?、《壞中尉》男星哈威·凱特爾飾),自立門戶,擴(kuò)張版圖,希望重塑往昔的輝煌。一手金錢,一手美人(莉頓·梅斯特飾),尼克完全不知道自己正走在危險的懸崖邊。
逃離奪命島
克里斯·辛普曼,格蘭特·舒馬赫,詹姆斯·里德爾After a mysterious accident at a research camp on the Isle of Gran Manan, a CEO hires a team of blue-collar mercenaries to extract his daughter, a scientist working at the camp. Upon arrival, the team soon learns that not only is the island surrounded by a wormhole that causes time to reset every three days, but it's also crawling with hideous monsters. As they learn more about the nature of time, space, and the creatures on the island, they quickly realize that death may be the easiest way to escape the island.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
春苗
李秀明,高寶成,達(dá)式常,林彬,白穆,于飛,李保羅,趙抒音,于元奇故事發(fā)生在文革前夕的1965年。婦女隊長春苗(李秀明 飾)看不慣醫(yī)療衛(wèi)生大權(quán)把持在有資產(chǎn)階級思想意識的人手中,她主動請纓到公社衛(wèi)生院學(xué)習(xí),以期學(xué)成回村為貧下中農(nóng)服務(wù)。她不顧院長杜文杰(白穆 飾)和醫(yī)生錢濟(jì)仁(馮奇 飾)的刁難排擠,在方明(達(dá)式常 飾)的幫助下,她刻苦鉆研專業(yè)知識,但杜與錢的所做所為還是讓她憤然離開了醫(yī)院。春苗回村后,在黨支部的支持下,她在村里的衛(wèi)生室做了一名赤腳醫(yī)生。1966年,文革開始后,杜文杰出于不可告人的目的,在公社辦起赤腳醫(yī)生培訓(xùn)班,春苗和其它村的赤腳醫(yī)生揭穿了杜文杰的陰謀,杜腦羞成怒,暗中下毒謀害水昌伯(高寶成 飾),并嫁禍春苗,春苗識破了杜的詭計......
雉岳山
尹均相,金叡園,延濟(jì)旭,裴格林Five members of the mountain bike club, Sangaja. To ride a mountain bike, we head to Chiaksan Mountain, where Min-joon's Uncle villa is located. After arriving at Chiaksan Mountain and enjoying the ride, strange things began to happen to the party…. And something unidentified chasing them! A desperate survival game for Sangaja's party to survive on Chiaksan Mountain begins.