防己

★ 1.3 播放:80萬 更新:2026-05-08

男孩王雲(yún)伍因被救生員王大和誤會(huì)溺水而救起,兩具身體碰撞之時(shí),其內(nèi)心長久壓抑而深藏的慾望也隨著浪花激起;他好奇地嘗試探尋對(duì)方,過程卻多了誤會(huì),他為此感到矛盾與困擾,卻也像是一步步地重新看見自己。

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劇情簡介

男孩王雲(yún)伍因被救生員王大和誤會(huì)溺水而救起,兩具身體碰撞之時(shí),其內(nèi)心長久壓抑而深藏的慾望也隨著浪花激起;他好奇地嘗試探尋對(duì)方,過程卻多了誤會(huì),他為此感到矛盾與困擾,卻也像是一步步地重新看見自己。

導(dǎo)演精選

四封情書

尼古拉斯·考夫蘭和伊莎貝爾·戈?duì)栕⒍ㄒ谝黄稹栴}是他們是否會(huì)發(fā)現(xiàn)。正如鬼魂、命運(yùn)和真愛的純粹力量將尼古拉斯和伊莎貝爾拉在一起一樣,生活也有可能將他們分開。

旅行者的需求

  來自法國的旅行者伊麗絲在韓國擔(dān)任法語家庭教師賺取生活費(fèi)。語言的隔閡讓她和學(xué)生之問的交流充滿錯(cuò)位感,東亞文化中不善于思考和表達(dá)內(nèi)心情感的“痼疾"又與渴望交流與開放的心態(tài)交織在一起,觸發(fā)了只有異國旅行者才能感受到的特殊孤獨(dú)與惆悵。被譽(yù)為韓國作者電影第一人的導(dǎo)演洪常秀繼《在異 國》《克萊爾的相機(jī)》之后與法國國寶級(jí)女演員伊莎貝爾·于佩爾再度合作,用極簡主義的拍攝手法呈現(xiàn)細(xì)致入微的人際關(guān)系精妙互動(dòng),斬獲2024年第74屆柏林國際電影節(jié)評(píng)審團(tuán)銀熊獎(jiǎng)。

公寓2024

  Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.  Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.