我的課

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

　　在一間教學(xué)素質(zhì)低下的學(xué)校里，有一個不成文的傳統(tǒng)：學(xué)生們凡是遇到了爭執(zhí)，都不能告訴老師家長，只能自己用拳頭解決。石頭（謝霆鋒 飾）是最能打的一個同學(xué)，一次幫助富家子Edward（馮德倫 飾）解圍，彼此成為朋友，二人也因此得罪了學(xué)校里的好戰(zhàn)分子。阿鳳（容祖兒 飾）一直暗戀既帥氣學(xué)習(xí)有出色的Edward，而Edward認(rèn)為學(xué)生最緊要是學(xué)習(xí)，會考時間逼近，Edward便義務(wù)幫助石頭與阿鳳補(bǔ)習(xí)。由于家境富有，Edward竟然在考試當(dāng)天被綁架了，石頭決心把他救回……

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　　擔(dān)任臨時教師的君島穗香(澀谷凪咲)，目擊了一個女學(xué)生從屋頂跳下的瞬間。當(dāng)她在暑假補(bǔ)習(xí)班上課時，又注意到有個不應(yīng)該存在的學(xué)生。不久后，穗香與補(bǔ)習(xí)班的三浦瞳(早瀨憩)、前川武(山時聰真)等學(xué)生們，得知了與那個女學(xué)生有關(guān)的令人震驚的事實。