應(yīng)召女郎1988 (1988)

★ 0.1 播放：92萬 更新：2026-05-03

明星林珍妮（張曼玉 飾）在香港家喻戶曉，但同時，她暗中做面向外地富商的應(yīng)召女郎多年，在結(jié)束了一次遠(yuǎn)在泰國的應(yīng)召之后，林在機場結(jié)識了爽朗的富家子弟史提芬（齊秦 飾），并與其漸漸墜入情網(wǎng)；主婦美鳳（馮寶寶 飾）為了應(yīng)付丈夫（馮淬帆 飾）高額的治療費用，只得選擇瞞著丈夫兒子做應(yīng)召女郎，這分裂的生活給她的家庭帶來了意外的巨變；姍姍（吳家麗 飾）與玲玉（陳奕詩 飾）是一對兒要好的舞女姐妹，二人時常用計從老凱子的口袋中騙錢，表面風(fēng)光后面，是失去母親的寂寞和作為偷渡客的彷徨；不良少女菲比（余倩文 飾）不甘在家中受繼父的騷擾，日日與一班古惑仔為伍，并做了其中一人的女友，豈料“男友”只是強迫她賣身賺錢…… 

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劇情簡介

明星林珍妮（張曼玉 飾）在香港家喻戶曉，但同時，她暗中做面向外地富商的應(yīng)召女郎多年，在結(jié)束了一次遠(yuǎn)在泰國的應(yīng)召之后，林在機場結(jié)識了爽朗的富家子弟史提芬（齊秦 飾），并與其漸漸墜入情網(wǎng)；主婦美鳳（馮寶寶 飾）為了應(yīng)付丈夫（馮淬帆 飾）高額的治療費用，只得選擇瞞著丈夫兒子做應(yīng)召女郎，這分裂的生活給她的家庭帶來了意外的巨變；姍姍（吳家麗 飾）與玲玉（陳奕詩 飾）是一對兒要好的舞女姐妹，二人時常用計從老凱子的口袋中騙錢，表面風(fēng)光后面，是失去母親的寂寞和作為偷渡客的彷徨；不良少女菲比（余倩文 飾）不甘在家中受繼父的騷擾，日日與一班古惑仔為伍，并做了其中一人的女友，豈料“男友”只是強迫她賣身賺錢…… 

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等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

我們很危險

西南偏南電影節(jié)劇情片競賽。                                                                      　　Nellie and Daisy attempt to escape the institution for delinquent girls in 1954 New Zealand, however not only are they caught, it triggers a relocation to a facility on a remote island. The duo become a trio as well-to-do Lou joins them, and life on the island takes shape under the command of devout Matron. The trio rail against the system, dubious of the benevolence of the bible and taking refuge in their blossoming friendship. It’s hard to reform girls who don’t believe they need reforming. However, a sense of doom settles in when experimental forms of punishment take place in the dead of night. Nellie and Daisy plot rebellion, but unexpectedly find themselves at odds with Lou, who is afraid to break the rules.

搶錢大作戰(zhàn)

　　19歲的少年賽斯·戴維斯（吉奧瓦尼·瑞比西 Giovanni Ribisi飾）一心希望能盡快淘到自己的第一桶金，好讓父親另眼相看。他本打算靠玩非法紙牌起家，卻發(fā)現(xiàn)此路根本行不通，直到一家名為J.T.馬林經(jīng)紀(jì)公司的股票經(jīng)紀(jì)商找上了賽維斯?！　≡谶@個號稱“鍋爐房”的核心辦公室里，多少個一夜間成為百萬富翁的故事深深誘惑著賽維斯。很快，野心勃勃的賽維斯便以優(yōu)異的成績通過了股票經(jīng)濟人認(rèn)證考試，開始了他的“成功之路”。他把那些永遠(yuǎn)都沒有前途的股票賣給利欲熏心的投資者。賽維斯正以極危險的速度追逐著金錢與利益，靠近著他所謂的功成名就，貪婪而不安。在紐約長島這個瞬息萬變的商業(yè)圈里，良心未泯的賽維斯終于開始面對良心的考驗。