法老王的地下宮殿

★ 2.5 播放：97萬 更新：2026-05-12

本片由歐州頂級艷星扎拉懷特斯主演，講述荒y-的古埃及時代克力奧帕特拉的傳奇故事。片子的拍攝手法有些特殊，y-亂的場景，SM女奴，角斗士互相殘殺，雖沒有血流滿地的場面，卻可以另觀者感受到古埃及宮廷內(nèi)貴族的高貴，奴隸的低賤，在那里沒有人道，沒有自由，有的只是殘酷的統(tǒng)治者與被統(tǒng)治者。

在線播放

劇情簡介

本片由歐州頂級艷星扎拉懷特斯主演，講述荒y-的古埃及時代克力奧帕特拉的傳奇故事。片子的拍攝手法有些特殊，y-亂的場景，SM女奴，角斗士互相殘殺，雖沒有血流滿地的場面，卻可以另觀者感受到古埃及宮廷內(nèi)貴族的高貴，奴隸的低賤，在那里沒有人道，沒有自由，有的只是殘酷的統(tǒng)治者與被統(tǒng)治者。

導(dǎo)演精選

心中的殺手

　　20世紀40年代，美國某個依靠石油而發(fā)展起來的小鎮(zhèn)。當(dāng)?shù)刈畲蟾缓缽厮固亍た稻S（Ned Beatty 飾）的兒子艾爾姆（Jay R. Ferguson 飾）即將成婚，然而卻有件事讓徹斯特頗感煩惱。原來艾爾姆此前和妓女喬伊絲·雷克蘭德（杰西卡?阿爾芭 Jessica Alba 飾）有染，為避免尷尬之事發(fā)生，徹斯特暗中授意警方驅(qū)逐喬伊絲，而小警察盧·福特（卡西·阿弗萊克 Casey Affleck 飾）成為了此項工作的具體執(zhí)行者。盧表面內(nèi)向順從，內(nèi)心卻隱藏著不為人知的秘密。短短幾周的相處，喬伊絲已然對他深深迷戀，不可自拔。誰知在最后關(guān)頭，盧卻對喬伊絲和艾爾姆痛下殺手，從此跌入萬劫不復(fù)的黑色深淵中……　　本片根據(jù)吉姆·湯普森（Jim Thompson）的同名小說改編。

嗜血族

自古以來，民間就流傳著關(guān)於黑暗精靈澤斯蒂爾納克的傳說。這些神話生物擁有修長的利爪和非人的力量，以人類血液為食。如今，已無人相信他們的存在，但他們?nèi)耘f生活在我們之中。米拉斯是來自阿拉木圖的一個普通年輕人，卻被美麗又成功的女孩艾娜愛上。米拉斯的父母樂見兒子攀上這門好親事，並樂意與艾娜富有的家庭結(jié)為親家。然而，他們卻不知道，新親家那棟豪華宅邸的門後，隱藏著什麼樣的驚人祕密。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster