戲劇
金發(fā)的雙性戀M(fèi)ateo,性感的Maria,以及內(nèi)心充滿沖突的同性戀Angel。在現(xiàn)實(shí)生活中各種體驗(yàn)是他們尋找自我的手段。 金發(fā)的雙性戀M(fèi)ateo,性感的Maria,以及內(nèi)心充滿沖突的同性戀Angel。在現(xiàn)實(shí)生活中各種體驗(yàn)是他們尋找自我的手段。
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劇情簡(jiǎn)介
金發(fā)的雙性戀M(fèi)ateo,性感的Maria,以及內(nèi)心充滿沖突的同性戀Angel。在現(xiàn)實(shí)生活中各種體驗(yàn)是他們尋找自我的手段。 金發(fā)的雙性戀M(fèi)ateo,性感的Maria,以及內(nèi)心充滿沖突的同性戀Angel。在現(xiàn)實(shí)生活中各種體驗(yàn)是他們尋找自我的手段。
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狂鯊風(fēng)暴
菲比·黛內(nèi)芙,杰曼·翰蘇,科斯塔·德安杰洛,馬特·納夫萊,惠特尼·皮克,艾莉拉·布朗,史泰西·克勞森,以利亞·昂格瓦里,安德魯斯·李斯,Amy Mathews,Gemma Dart,Dante Ubaldi,Jon Prasida,Sian Luxford,Sami Afuni,Akosia Sabet,柴·漢森河童之子
本·麥肯錫,博亞娜·諾瓦科維奇,索耶·瓊斯,馬爾科姆·富勒,小杉健,Ethan Herschenfeld,阿莎·埃奇森,大衛(wèi)·吉布森,Rebecca Nelson,詹姆斯·亞當(dāng)·林,橫田実優(yōu),大衛(wèi)·萊文,Larry Bull,Jeff Applegate,秋野松明,扎克·新里96分鐘:列車爆炸案
林柏宏,宋蕓樺,王柏杰,李李仁,姚以緹,蔡凡熙,李銘忠,黃奇斌,呂雪鳳,鄭志偉,陳雪甄,巫建和,孔令元,林昀希,鄒承恩安吉的治療
拉內(nèi)特·塔切爾,肖恩·尼爾森,精華阿特金斯龍林逃生
陳升衛(wèi),林千雯,鬼哥,龍娜,薛瓊,李信慶噬血芭蕾
阿麗莎·威爾,梅麗莎·巴雷拉,丹·史蒂文斯,凱瑟琳·紐頓,凱文·杜蘭,吉安卡羅·埃斯波西托,安格斯·克勞德,威廉·卡特列特,馬修·古迪人氣佳作
我,許可
文淇,秦海璐,白客,李雪琴,牛莉,劉佳,啜妮,王和,張馨文,張懿曼,黃少峰,李哲霆,黃博遠(yuǎn),李冠廷,劉杰毅,合文俊,翟韜仇殺病房
千虎珍,柳海真,徐孝琳恐怖買家
勞倫·拉維拉,Neal McDonough,Alicia Witt,Djimon Hounsou,吉娜·菲利普斯,David Call,Michael Lombardi借口公司
菲利普·拉肖,艾洛蒂·豐唐,朱利安·阿魯?shù)?塔雷克·布達(dá)里,迪迪?!げ紶枛|,納塔莉·貝伊,娜威爾·瑪達(dá)尼,梅迪·薩東,樊尚·德扎尼亞,愛(ài)麗絲·杜富爾,菲利普·杜克斯納,米歇爾·拉羅克,凱德·麥拉德,薩米·納塞利,喬·普雷斯蒂亞,諾曼·塔沃,喬伊·斯塔爾導(dǎo)演精選
維也納戰(zhàn)役
1453年,東羅馬帝國(guó)陷落后,地處中歐的神圣羅馬帝國(guó),不得不直接面對(duì)土耳其人的侵?jǐn)_。土耳其人熱衷擴(kuò)張,雖然他們信奉伊斯蘭教,但他們認(rèn)為他們才是真正的“羅馬皇帝”,神圣羅馬帝國(guó)的皇位,已由哈布斯堡王朝掌權(quán)兩百年,他們是基督教世界的最后保衛(wèi)者,雙方再維也納一決高下:一方信誓旦旦,另一方誓死捍衛(wèi)。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
幸存者1999
《幸存者》講述了十億年前,外星異種來(lái)地球,進(jìn)行各種生物培育,因?yàn)榈貧み\(yùn)動(dòng)劇烈,被火山巖漿淹埋?;臎龅谋睒O科學(xué)探測(cè)站內(nèi),正歡呼石油的到來(lái),鉆臺(tái)無(wú)故斷電、礦井噴出神秘的膠體、員工被大卸八塊……頓時(shí)失去控制,當(dāng)站長(zhǎng)亞當(dāng)、凱特等反應(yīng)過(guò)來(lái),并組織起武裝防衛(wèi)時(shí),95%的人們成了無(wú)辜冤魂,血肉模糊、腦髓迸射;不可抗力的人類浩劫就此爆發(fā),從北極向全球瘋狂蔓延……