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劇情簡介
一個丈夫在街上走時總是看著他的大奶妻。 丈夫在結(jié)婚的第二年感到無聊,但如今妻子的舉止值得懷疑。 平時沒事看我妻子的手機(jī) 有一天,妻子觸摸手機(jī)便開始生氣。 這樣的妻子,丈夫開始越來越懷疑。
同類好片
最偉大的時光
艾斯林·貝亞,馬修·麥克諾提,愛麗絲·洛維,伊莎貝爾·貝爾納多,?,敗ぐ⒛?羅拉·麥克唐納,齊吉·希思,馬克·伍頓,阿爾弗雷多·塔瓦雷斯,Jayde Adams,安馬卡·奧卡福,Barry O'Connor,Emmet Byrne,Matthew Koon,Manolia Nannou半夜叫你別回頭2
梅瓊,趙翊驍,姜夢茹,沈璐,李世杰,陸煙,張瑩瑩,寒豐,嚴(yán)佳茵,武朋妖狐傳
馬倩倩,張競達(dá),王昭,朱利安熾愛
卡特琳娜·格蘭厄姆,梅里特·帕特森,塞巴斯蒂安·羅奇,王卡帝,Roger Cross,Aren Buchholz,Kayla Wallace,大衛(wèi)·劉易斯,Andres Collantes,Chris Cope罪惡新月城
亞歷克·鮑德溫,泰倫斯·霍華德,埃塞·莫拉雷斯,妮基·韋蘭,邁克爾·希羅,溫斯頓·凱奇,安居爾·尼加姆,Maria Camila Giraldo,瑞瑪·桑帕特,Danielle Druz月影殺痕
波伊德·霍布魯克,克利歐佩特拉·科爾曼,博基姆·伍德拜因,邁克爾·C·豪爾,魯?shù)稀み_(dá)馬林加姆,Al Maini,Quincy Kirkwood,莎拉·杜格代爾,瑞秋·凱勒,Ryan Allen,托尼·納波,Philippa Domville,托尼·克雷格,加布里埃爾·格雷厄姆,Julia Knope,默里·弗羅,大衛(wèi)·麥金尼斯,德爾菲娜·魯塞爾,胡安·卡洛斯·韋利斯,泰德·麥克馬洪,愛德華·倫德爾,妮卡·埃利奧特人氣佳作
迷妄國度4
Trupti Agarwal,Gaurav Arora,Ashwath Bhatt血觀音
惠英紅,吳可熙,文淇,柯佳嬿,陳莎莉,丁強(qiáng),劉尚謙,林志儒,王月,溫貞菱,王偉六,陳珮騏,尹昭德,大久保麻梨子,巫書維,顏毓麟,劉越逖,傅子純,陳武康,施名帥,秀蘭瑪雅,應(yīng)朗豐,李銓致命錄像帶:超越
戴恩·迪利格羅,阿拉娜·皮爾斯,利比·萊特洛,米奇·霍洛維茨,納姆拉塔·謝斯,鮑比·斯萊斯基,馬修·雷頓,布蕾登·布魯納,湯姆·哈勒姆,詹姆斯·C·伯恩斯,喬琳·安德森,Brian Baker,Trevor Dow,Gerry Eng,薩姆·戈爾斯基,尼科·普金格,雷恩·韋奇曼,Tyler Andrews,瓦斯·普羅瓦塔基斯,菲利普·安德瑞·波鐵洛,Michael J. Sielaff,Morgan Chancelien,Chris Page,艾倫·馬克森,Blaine Magee,Morgan Mage鐵拳硬漢
徐少強(qiáng),郜喬,邱彬導(dǎo)演精選
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
捆綁上天堂
一個筋疲力盡的女人(倪妮 飾)點燃了一個心如槁木的男人(周游 飾),他們隨欲而愛,開始了一段靈與肉、生與死緊緊捆綁的流亡之旅。 三地輾轉(zhuǎn),燃燒著,共入地獄。 四季流轉(zhuǎn),愛爽了,再上天堂。
交響詩篇超進(jìn)化1
十年前,發(fā)生了震撼世界的重大事件“第一次愛之夏”。蘭頓失去了他的父親阿德洛克,現(xiàn)在已經(jīng)在邊境城鎮(zhèn)貝爾福雷斯特參加了塔州聯(lián)盟軍校。被稱贊為英雄的已故父親。 什么都沒有的單調(diào)日常。蘭頓身邊的一切都很悶。 但在蘭頓面前,世界上最古老的LFO尼爾瓦修突然出現(xiàn)。 從駕駛艙出 現(xiàn)的是優(yōu)萊卡。蘭頓和優(yōu)萊卡的旅程將在哪里結(jié)束?