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領(lǐng)養(yǎng)驚魂
約翰·庫(kù)薩克,蕾切爾·勒費(fèi)夫爾,瑞恩·菲利普,路易斯·古茲曼,杰基·韋佛,伊莎貝拉·阿德里亞尼,Blas Diaz圣誕奇遇結(jié)良緣
林子祥,岑建勛,張曼玉,午馬,秦沛,廖啟智,徐錦江交響詩(shī)篇超進(jìn)化1
名冢佳織當(dāng)邪惡潛伏時(shí)
埃澤奎爾·羅德里格斯,Demián Salomón,路易斯·齊姆博夫斯基,Marcelo Michinaux,Federico Liss,Silvina Sabater,Emilio Vodanovich,Paula Rubinsztein,Virginia Garófalo,Desirée Salgueiro驚魂繡花鞋
何乙軒,劉漢兆,輝燦,周昕妤,郭亞菲,郭玉英,賈明瑛全境災(zāi)變
伊芙·詹姆斯 Eve James,坎農(nóng)·史密斯 Kannon Smith,萊琳·麥克 Lelyn Mac同類推薦
姐妹董事會(huì)
蕾切爾·蕾·庫(kù)克,丹妮拉·莫奈,列奧尼達(dá)斯·古拉普蒂斯公司高管梅根成立了一個(gè)董事會(huì),以改善她妹妹混亂的生活,并與一位心理學(xué)教授墜入愛河,后者發(fā)現(xiàn)了她強(qiáng)硬的舉止。
1922
托馬斯·簡(jiǎn),莫莉·帕克,迪蘭·施密德,凱特琳·伯納德,尼爾·麥克唐納,坦婭·錢普,布萊恩·達(dá)西·詹姆斯,鮑勃·弗雷澤,埃里克·李塞德,皮特·紐,布魯斯·布萊恩,格雷姆·達(dá)菲故事講述了一個(gè)簡(jiǎn)單又驕傲的牧場(chǎng)主,為了經(jīng)濟(jì)利益和兒子一起謀殺了妻子。而在埋葬其尸體時(shí),他發(fā)現(xiàn)自己被老鼠恐嚇,并確信妻子并沒有放過他!
逃離奪命島
克里斯·辛普曼,格蘭特·舒馬赫,詹姆斯·里德爾After a mysterious accident at a research camp on the Isle of Gran Manan, a CEO hires a team of blue-collar mercenaries to extract his daughter, a scientist working at the camp. Upon arrival, the team soon learns that not only is the island surrounded by a wormhole that causes time to reset every three days, but it's also crawling with hideous monsters. As they learn more about the nature of time, space, and the creatures on the island, they quickly realize that death may be the easiest way to escape the island.
圣誕奇遇結(jié)良緣
林子祥,岑建勛,張曼玉,午馬,秦沛,廖啟智,徐錦江故事梗概 本片為香港德寶電影公司的創(chuàng)業(yè)巨制之一,由杰出的攝影指導(dǎo)鐘志文升任導(dǎo)演,是一部熱鬧的浪漫冒險(xiǎn)喜劇。內(nèi)容描述一名地下軍火專家制造了一個(gè)小型炸彈企圖有所不軌,計(jì)劃被助手知悉,以致他殺人滅口,但卻被三名互不認(rèn)識(shí)的平凡寂寞人目睹此事件。兩名瘋狂殺手奉命追殺三名目擊者,他們乃展開逃亡,過程中發(fā)揮同舟共濟(jì)的精神來化解危機(jī)。全片是典型以追殺為主戲的娛樂片,但不強(qiáng)調(diào)暴力動(dòng)作,反而有不少驚險(xiǎn)笑料。三個(gè)主角的個(gè)性也純真好玩,將都市寂寞人偶然碰到刺激遭遇時(shí)的反應(yīng)生動(dòng)地表現(xiàn)了出來。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster