比弗頓：約見海貍
Camp暫無內(nèi)容Beaverton:暫無內(nèi)容Meet暫無內(nèi)容the暫無內(nèi)容Beavers暫無內(nèi)容is暫無內(nèi)容a暫無內(nèi)容documentary暫無內(nèi)容film暫無內(nèi)容by暫無內(nèi)容Ana暫無內(nèi)容Grillo暫無內(nèi)容and暫無內(nèi)容Beth暫無內(nèi)容Nelsen,暫無內(nèi)容aka暫無內(nèi)容Ana暫無內(nèi)容Mission暫無內(nèi)容and暫無內(nèi)容Agent暫無內(nèi)容Nelsen.暫無內(nèi)容Camp暫無內(nèi)容Beaverton暫無內(nèi)容is暫無內(nèi)容the暫無內(nèi)容Home暫無內(nèi)容for暫無內(nèi)容Wayward暫無內(nèi)容Girls,暫無內(nèi)容the暫無內(nèi)容only暫無內(nèi)容queer,暫無內(nèi)容all暫無內(nèi)容women,暫無內(nèi)容trans-inclusive,暫無內(nèi)容sex暫無內(nèi)容positive暫無內(nèi)容theme暫無內(nèi)容camp暫無內(nèi)容set暫無內(nèi)容within暫無內(nèi)容Burning暫無內(nèi)容Man,暫無內(nèi)容an暫無內(nèi)容8-day暫無內(nèi)容experimental暫無內(nèi)容art暫無內(nèi)容festival暫無內(nèi)容that暫無內(nèi)容encourages暫無內(nèi)容radical暫無內(nèi)容self暫無內(nèi)容expression暫無內(nèi)容found暫無內(nèi)容deep暫無內(nèi)容within暫無內(nèi)容the暫無內(nèi)容Nevada暫無內(nèi)容desert.暫無內(nèi)容The暫無內(nèi)容Beaver...
即刻觀影
劇情賞析
編輯推薦
壞血1986
米歇爾·皮科利,朱麗葉·比諾什,德尼·拉旺,漢斯·邁爾,朱莉·德爾佩,卡羅爾·布魯克斯,烏戈·普拉特,米雷耶·佩里耶,塞爾日·雷吉亞尼,弗朗索瓦·尼格雷特這部電影將寫實與科幻合而為一。一種傳染性性疾病STBO正在國內(nèi)蔓延，它通過沒有感情的性活動傳播?！ ⌒⊥雕R克和漢斯欠一個美國女人一筆錢，她限他們兩個星期還。他們打算去偷一種專治類似艾滋病的藥劑，然后高價轉(zhuǎn)賣。于是他們雇來了亞力克斯，一個正在跟16歲女友麗莎分手的青年。但在計劃實施之前，他迷戀上了馬克的情婦安娜。麗莎卻并沒有死心，在他們動手那天她來到了巴黎，使得事情更加復(fù)雜化…… 當(dāng)然，這是個悲劇。Love that burns fast but lasts forever. 這是導(dǎo)演Leos Carax繼《男孩遇見女孩》后的第二部作品，繼續(xù)他對青春和孤獨等題材的關(guān)注，也就是在此片的五年之后誕生了影史經(jīng)典之作——《新橋戀人》。
熒屏在發(fā)光
賈斯蒂斯·史密斯,布里蓋特·倫迪·佩恩,伊恩·福爾曼,海倫娜·霍華德,林齊·喬丹,丹妮爾·戴德懷勒,弗里德·德斯特,康納·歐麥利,瑪達琳·賴?yán)?埃博·本森,艾伯特·伯尼,邁克爾·C·莫羅納,丹尼·塔貝瑞利,蒂莫西·格里芬·艾倫,泰勒·迪恩·弗洛雷斯,伊麗莎白·斯科佩爾,馬林·班迪羅歐文（賈斯蒂斯·史密斯 Justice Smith 飾）和麥迪（布里蓋特·倫迪·佩恩 Brigette Lundy-Paine 飾）因一檔深夜超自然節(jié)目而結(jié)緣，然而這檔節(jié)目卻神秘地被取消了，在暗淡的電視燈光下，他們對現(xiàn)實的看法開始變得模糊不清。
超能計劃
杰米·?？怂?約瑟夫·高登-萊維特,多米尼克·菲什巴克,羅德里戈·桑托羅,考特尼·萬斯,艾米·蘭德克,機關(guān)槍凱利,泰特·弗萊徹,阿倫·馬爾多納多,安德烈·沃德·哈蒙德,可亞娜·西蒙妮·辛普森,C.J.勒布朗,CG劉易斯,約瑟夫·波利昆,雅茨·德·利瑟爾,凱西·奈斯泰德,珍妮特·羅斯·阮,吉姆·克洛克,喬恩·阿茲,戴恩·羅茲,懷爾德·韋恩,賈斯汀·賈木什,戈登·德克海默,盧克·霍克斯,小彼得·詹梅斯,托尼·查普曼·斯蒂爾,約書亞·薩達索在新奧爾良的街道上，關(guān)于神秘新藥丸的消息開始傳播開來，這種藥丸可以解鎖每位使用者獨特的超能力。但問題是：在服用之前，沒人知道用藥后會發(fā)生什么。一些人會進化出防彈皮膚、隱形能力和超強力量，也有很多人會表現(xiàn)出更致命的反應(yīng)。但是，當(dāng)藥丸使城市內(nèi)的犯罪升級到危險水平時，當(dāng)?shù)鼐欤s瑟夫·高登-萊維特飾）與一名少女小販（多米尼克·菲什巴克飾）和誓報私仇的退伍士兵（杰米·?？怂癸棧┞?lián)手以硬碰硬，他們冒著服用藥丸的風(fēng)險，以追蹤并制止制造出該藥丸的團隊。
跳動的心2
特里普蒂·迪姆里,維品·沙爾馬,希坦特·查杜爾韋迪這部電影探討了社會思想中根深蒂固的階級和地位障礙，強調(diào)了一種永遠(yuǎn)無法實現(xiàn)的愛情敘事。還是可以？
安·李的遺囑
阿曼達·塞弗里德,托馬辛·麥肯齊,劉易斯·普爾曼,克里斯托弗·阿波特,蒂姆·布雷克·尼爾森,馬修·比爾德,斯塔西·馬汀,維奧拉·佩雷特約翰,斯科特·漢迪,斯科特·亞歷山大·楊,杰米·博吉奧,米麗-蘿絲·克若斯莉,大衛(wèi)·卡勒這部電影設(shè)定在18世紀(jì)的英格蘭，并“靈感來源”于真實事件，是一部關(guān)于宗教領(lǐng)袖安·李（Ann Lee）的“史詩寓言”，安·李是謝克教運動的創(chuàng)始人，且被她的追隨者宣稱為“女性基督”。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.