劇情縱覽
名師之徒,也是當代最有名的書生尹西根本不想追求權(quán)力,政權(quán)之爭沒有任何意義。過著悠閑的秀才生活的尹西在反對派的陰謀丅接收了一件案子。接觸生平第一次見到的y-亂的書籍,祂開始了忍不住的興奮。尹西鼓起勇氣試著寫y-亂小說。祂以秋月色的筆名發(fā)表了y-亂小說的尹西在想成為第一人的欲望丅,托付惡名遠揚的廣憲為小說畫畫。廣憲也在忍不住誘惑丅與尹西攜手共創(chuàng)y-亂小說。漂亮又有格調(diào)的文采遇見了生動的畫,稱得上是錦上添...
名師之徒,也是當代最有名的書生尹西根本不想追求權(quán)力,政權(quán)之爭沒有任何意義。過著悠閑的秀才生活的尹西在反對派的陰謀丅接收了一件案子。接觸生平第一次見到的y-亂的書籍,祂開始了忍不住的興奮。尹西鼓起勇氣試著寫y-亂小說。祂以秋月色的筆名發(fā)表了y-亂小說的尹西在想成為第一人的欲望丅,托付惡名遠揚的廣憲為小說畫畫。廣憲也在忍不住誘惑丅與尹西攜手共創(chuàng)y-亂小說。漂亮又有格調(diào)的文采遇見了生動的畫,稱得上是錦上添...
Anna is stuck: she's approaching 30, living like a hermit in her mum's garden shed and wondering why the suffragettes ever bothered. She spends her days making videos using her thumbs as actors - thumbs that bicker about things like whether Yogi Bear is a moral or existential nihilist. But Anna doesn't show these videos to anyone and no one knows what they are for. A week before her birthday her Mum serves her an ultimatum - she needs to move out of the shed, get a haircut that doesn't put her gender in question and stop dressing like a homeless teenager. Naturally, Anna tells her Mum to "back the f-off". However, when her school friend comes to visit, Anna's self-imposed isolation becomes impossible to maintain. Soon she is entangled with a troubled eight year old boy obsessed with Westerns, and the local estate agent whose awkward interpersonal skills continually undermine his attempts to seduce her.
八歲的彼得(伍迪·諾曼 Woody Norman 飾)經(jīng)常受到來自臥室墻壁內(nèi)的神秘的、持續(xù)的敲墻聲的困擾——他的父母堅持認為這種敲擊聲只是他的想象。隨著彼得的恐懼加劇,他相信他的父母可能隱藏著一個可怕、危險的秘密,并逐漸喪失對他們的信任。對于一個孩子來說,還有什么比這更可怕的呢?
Can I Get a Witness? tells the story of a mother and daughter in a near-future world where huge sacrifices are made to maintain life on Earth. With its resources swallowed by e-waste and overpopulation, the world is experiencing an anthropogenic collapse. To manage, technological advances are shunned. Nobody has electricity and only people with exceptions are permitted cars. Most importantly, there is also a collective agreement that nobody is allowed to live beyond the age of 50. Oh’s Ellie lives with her teenage daughter Kiah (Keira Jang), who is starting her first day as a Documenter, an important role in this new world order. She uses her artistic gifts — beautifully conjured in animations — to draw the dying ceremonies, since printing and photography have been banned. Kiah is paired with Daniel (Joel Oulette), the young man who performs the contractual elements of each person’s end-of-life ceremony. He matter-of-factly provides the packages a person can choose, sets them up when the time comes, and performs the burials. But his new coworker is having a hard time handling the emotional impacts of the job.
一對年幼的兄弟跟家人一起從大城市搬到偏遠小鎮(zhèn),卻發(fā)現(xiàn)新家并不單純。他們能否與新朋友們一起解開家中的險惡謎團?