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孫槐志

  一天欣欣來到一家古董店,連呼數(shù)聲有人么,不見有人回應(yīng),偌大的古董店空無一人。由于好奇心的驅(qū)使欣欣不管三七二十一自娛欣賞起來,不斷的被眼前的物品所震懾所陶醉,就在此時突然有一人出現(xiàn),嚇了欣欣一跳。此人行徑古里古怪,不過欣欣也沒有放在心上,欣欣與其交談數(shù)據(jù)之后又繼續(xù)欣賞起古董來,然而奇怪的事情就在此時悄然發(fā)生了……

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

昆池巖

魏嘏雋,樸智賢,吳雅妍,文藝媛,樸成焄,柳濟(jì)允,李承旭

  原名南營神經(jīng)精神醫(yī)院的昆池巖精神病院,最早建立于20世紀(jì)60年代。在特殊的時代它曾經(jīng)歷了無比的輝煌,然而更為人熟知的則是該醫(yī)院身上所發(fā)生的各類恐怖事件?,F(xiàn)如今,早已廢棄的昆池巖醫(yī)院被CNN票選為全球七大恐怖之地之一,更由此吸引無數(shù)尋求刺激的青年男女來此探險。三個月前,兩名青少年來此探險,結(jié)果在直播中遭遇詭異事件,下落不明。此后,《恐怖世代》劇組在魏河俊的召集下,網(wǎng)羅了吳雅妍、樸智賢、夏洛特(文藝媛 飾)、李丞旭、樸成勛、劉帝允等人前往昆池巖,更試圖打開備受詛咒的402室?! ∫鼓唤蹬R,全球網(wǎng)友一道觀看這場恐怖盛宴……

致命塔羅

阿凡提卡·萬達(dá)納普,雅各布·巴特朗,歐文·弗熱瑞,哈里特·斯萊特,亨伯利·岡薩雷斯,拉森·湯普森,阿丹·布拉德利,沃爾夫?qū)ぶZ沃格拉茨,斯塔薩·尼科利奇,詹姆斯·斯旺頓,艾倫·韋爾斯,桑西卡·米拉諾維奇,喬絲·卡特

  一群青年肆無忌憚地違反了塔羅牌的規(guī)則,釋放了牌中的可怕惡靈,他們一個接一個地面對命運的審判,使得最終陷入了一場與死亡的賽跑。