家庭旅館
艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan
在線看
同款熱播
哈留恩佩與邪惡祭司
Peter Franzén,伊麗娜·別爾克倫德,Jenni Banerjee在芬蘭警局供職多年的Timo，每天都周旋于形形色色的兇案罪犯之間，長年疲于工作，使得他疏于對家人的照顧。女兒在一次意外的派對中遭人強奸，成為他心中揮之不去的陰影。此時，一名神秘案犯走進了他的生活，提莫如何在重重陰霾下抓出真兇……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
創(chuàng)圣大天使：一發(fā)逆轉(zhuǎn)篇
寺島拓篤,嘉數(shù)由美,小林沙苗,森川智之,石冢運升,玉川紗己子,飛田展男,小野坂昌也,阪口大助,日笠山亞美,青森伸,矢尾一樹,兵藤真子,杉田智和,齋賀光希,樸璐美,風(fēng)間勇刀,佐藤裕美,四宮豪,仁科洋平,足立友,我妻正崇時長半小時的短片。故事是發(fā)生在TV版中途的番外篇，突出兩位女主角的位置，并附帶“歌姬”設(shè)定……主題曲延用TV版前半部的OP（但收錄進劇場版時被取消）。
不信地獄
南相美,柳承龍在首爾求學(xué)的女大學(xué)生康喜真（南相美 飾）每日奔波勞碌，疲憊不堪。這日她接到母親的電話，竟得知妹妹邵真（沈恩京 飾）失蹤，下落不明。她匆匆趕回老家，然而母親執(zhí)迷不悟，以為只靠虔誠的祈禱邵真就能返回家中。面對母親的麻木，喜真只得報警，但警官泰煥（柳承龍 飾）只將其當(dāng)作一般的離家出走處理?！ 〔痪茫粋€女子在喜真家的窗前吊頸并墜樓而死。泰煥從死者房間找到一封遺書，其中甚至提到邵真的名字。泰煥無法從喜真母親那里得到任何線索，只得從小區(qū)管理員那里探知線索。卻得知邵真竟一曾被鬼附身，整個案件開始朝著詭異的方向發(fā)展……
白天是阿波羅，晚上是雅典娜
吉澤姆·比爾根,梅利·杜澤恩利,巴里斯·戈內(nèi)嫩,內(nèi)拉·卡亞巴西,拉爾·曼蘇爾,德尼斯·圖爾卡利,塞倫·烏柴爾,埃茲吉·切利克德芙尼（Defne）前往古老的地中海城市西戴（Side），在那里遇到了一位革命者、一個妓女、一位女祭司以及其他神秘人物。在他們的指引下，她開始尋找拋棄她的母親。這部由充滿潛力的女導(dǎo)演艾米妮·耶爾迪勒姆（Emine Yildirim）執(zhí)導(dǎo)的處女作，以西戴為背景。西戴是古希臘的一個殖民地，曾是位于今日安塔利亞附近的繁榮港口城市。電影《日為阿波羅，夜為雅典娜》標(biāo)題中的兩位希臘神祇分別是理性之神太陽神阿波羅和智慧、手工藝及戰(zhàn)爭女神雅典娜。這部影片是一部充滿奇幻色彩的劇情片，講述了女性與男性、生者與死者的故事。
幼獸
Evelien Bosmans,Stef Aerts,提圖斯·德·沃格特,Maurice Luijten由克里斯（Titus De Voogdt 飾）和皮特（Stef Aerts 飾）帶隊并由數(shù)名十幾歲的男孩組成的童子軍即將前往靠近法國邊境的某座森林里露營，出發(fā)前他向孩子們講述了一個可怕的傳說，據(jù)說森林里有一種被稱為“凱”的半人半獸怪物肆虐橫行，當(dāng)?shù)厝寺勶L(fēng)喪膽。它的模樣如同人狼，凡是被它咬過的人都會受到感染變成人狼。孩子們?nèi)呵榧ぐ?，決心痛揍人狼，隨后跟隨克里斯坐上卡車出發(fā)。陽光明媚的時節(jié)，孩子們在露營地快樂玩耍，不過并不受眾人待見的小男孩薩姆（Maurice Luijten 飾）似乎格外在意“凱”的存在，他在挖洞時聲稱一度看到“凱”的身影，隨后更在營地附近發(fā)現(xiàn)一處神秘的巢穴。 夜幕降臨，可怕的身影悄悄向營地接近，薩姆的命運發(fā)生徹底改變……