愛情色香味 (1994)

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

百燭游戲2

　　A team of influencer bloggers decides to hold a ritual at the mansion of the "black countess". A fan of the supernatural, she disappeared without a trace after she was offered to play a game that was supposed to take her to another dimension. By evoking the spirit of the Countess, bloggers let otherworldly forces into the world. The one who can bring the demons back will survive.

浴血蔣家河口

蔣家河口戰(zhàn)役打響了新四軍抗戰(zhàn)的第一槍，也是新四軍挺進(jìn)敵后打伏擊的第一仗。此役以少克眾，以弱勝強(qiáng)，孤軍深入，出奇制勝，給了囂張跋扈、不可一世的日本侵略者一個(gè)結(jié)結(jié)實(shí)實(shí)的下馬威，極大地鼓舞了中國軍民的抗戰(zhàn)斗

白天是阿波羅，晚上是雅典娜

德芙尼（Defne）前往古老的地中海城市西戴（Side），在那里遇到了一位革命者、一個(gè)妓女、一位女祭司以及其他神秘人物。在他們的指引下，她開始尋找拋棄她的母親。這部由充滿潛力的女導(dǎo)演艾米妮·耶爾迪勒姆（Emine Yildirim）執(zhí)導(dǎo)的處女作，以西戴為背景。西戴是古希臘的一個(gè)殖民地，曾是位于今日安塔利亞附近的繁榮港口城市。電影《日為阿波羅，夜為雅典娜》標(biāo)題中的兩位希臘神祇分別是理性之神太陽神阿波羅和智慧、手工藝及戰(zhàn)爭女神雅典娜。這部影片是一部充滿奇幻色彩的劇情片，講述了女性與男性、生者與死者的故事。

永恒站

　　影片構(gòu)建了一個(gè)妙趣橫生的死后世界觀：人離世后將抵達(dá)一個(gè)連接無數(shù)“永恒世界”的中轉(zhuǎn)站，一旦選擇就無法改變。故事始于賴瑞（邁爾斯·特勒 飾）被蝴蝶餅噎死的荒誕開場，他在中轉(zhuǎn)站重獲青春，等待妻子瓊安（伊麗莎白·奧爾森 飾）的到來。然而瓊安到來后，卻面臨新的難題——她在戰(zhàn)爭中陣亡的前夫盧克（卡勒姆·特納 飾），竟已在此苦候她67年?！　蓚€(gè)男人為了獲得瓊安的最終選擇， 展開了一系列令人捧腹的“競爭”，各種啼笑皆非的較量讓本該嚴(yán)肅的永恒抉擇變成了一場妙趣橫生的“愛情競賽”。面對車站里呈現(xiàn)的琳瑯滿目的人生可能，一邊是共同走過漫長歲月、充滿柴米油鹽記憶的現(xiàn)任丈夫；一邊是曾令她刻骨銘心、苦候她67年的前度摯愛， 瓊安必須做出最終的選擇：與誰攜手， 共赴永恒？

微笑的山谷

　　帶著過往傷痛，塞吉?dú)W只身一人前往「微笑之村」擔(dān)任代理教師。這座對負(fù)能量零容忍的小鎮(zhèn)，明明曾遭逢巨變，居民們卻笑口常開。原來，讓這座微笑之村風(fēng)光明媚的秘方，是一位能吸取人間苦痛的男孩，他的身體如祭壇，透過擁抱承擔(dān)全村的悲傷。他為人搭建快樂天堂，自己卻陷入無盡黑暗。塞吉?dú)W與男孩的相遇，攪亂了鎮(zhèn)上的平衡；那座煉獄之門，也終將反向人間敞開。

孤兒2025