劇情縱覽
2017新版媽 媽的朋友，本片講述了兩個(gè)好姐妹經(jīng)常帶著兒子一起玩，卻總是誇對方的兒子好，兒子們不滿，要求換作對方的兒子，而兩個(gè)猥瑣的兒子似乎也不隻是想得到**的愛一般簡單，在不經(jīng)意偷看到阿姨**時(shí)自慰時(shí)，其中一個(gè)兒子終于把持不住了，于是雙方也開始了“母子”激情戰(zhàn)..
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臻選佳作
午夜的柳枝
梅根·福克斯,機(jī)關(guān)槍凱利,埃米爾·赫斯基,布魯斯·威利斯,盧卡斯·哈斯,凱特琳·卡邁克爾,奧利弗·伊莉絲·阿伯克隆比,麗迪雅·赫爾,杰基·克魯茲,泰勒·喬恩·奧爾森,斯溫·特梅爾,希斯蒂妮·史泰龍,邁克爾·比奇,多諾萬·W·卡特,奧馬爾·克魯茲·索托,大衛(wèi)·希爾,讓·皮埃爾·普拉茨,小戴維·M·桑多瓦爾,Jason Trawick,Welker White,Alec Monopoly,Sergio Rizzuto,Nick Koskoff,Katalina Viteri
一名聯(lián)邦調(diào)查局特工和佛羅里達(dá)州官員聯(lián)手調(diào)查一系列未偵破的謀殺案。
愿者安息
里法特·桑賈爾,Emrah Altintoprak,Cansu Türedi
Cemal, a lonely hearse driver, has to transport the body of a young woman who has been murdered to her parents' home. During the trip, however, the body comes to life and when he sees her, Cemal falls in love with the undead woman. This is when he begins to commit murders in order to feed her, even if it means having to deal with the police's attempts to capture a serial killer.
次世代機(jī)動(dòng)警察：首都決戰(zhàn)
真野惠里菜,福士誠治,筧利夫,太田莉菜,千葉繁
在毫無征兆的一個(gè)晴朗日子，一枚導(dǎo)彈筆直飛來，將國際大都會(huì)東京都內(nèi)極具代表性的彩虹橋炸為兩截。該事件在都內(nèi)引起不小的騷動(dòng)，此后不久，警視廳公安部外事三課的警部高畑慧（高島禮子 飾）帶著相關(guān)視頻資料找到藤田繼次（筧利夫 飾）所統(tǒng)率的特車二課，經(jīng)分析發(fā)現(xiàn)這次襲擊來自于那架自衛(wèi)隊(duì)不久前失竊的新型戰(zhàn)斗直升機(jī)AH-88J2改“灰色幽靈（Grey Ghost）”。經(jīng)高畑之口得知，該恐怖事件與拓植行人、灰原零（森カンナ 飾）有直接的關(guān)系。而在紛亂的實(shí)踐中，特車二課則面臨著被撤消的危險(xiǎn)?！ |京一千萬人口淪為暴動(dòng)分子的人質(zhì)，面對前所未有的危機(jī)，泉野明（真野惠里菜 飾）和她的LABOR能否力挽狂瀾？
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster