劇情簡介
英文名：Pseudo暫無內(nèi)容brother暫無內(nèi)容and暫無內(nèi)容sister.2016年度最新韓國限制級電影
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紐倫堡的審判
斯賓塞·屈塞,伯特·蘭卡斯特,理查德·威德馬克,瑪琳·黛德麗,馬克西米連·謝爾,朱迪·加蘭,蒙哥馬利·克利夫特,維爾納·克倫佩雷爾講述二戰(zhàn)后在紐倫堡提審德國納粹計劃的法律關(guān)系者，三個被告提審的原因是給猶太人施行斷種手術(shù)。擔(dān)任主審判長的是美國人赫魯特，他主張其中兩個被告無罪；而德國司法部長亞林克竟對此事保持沉默，但檢查官羅森上校卻激烈的指責(zé)被告，因此三個人展開激烈的辯論。審訊繼續(xù)進行下去。而美國的高級官員們希望能在審判中獲提德國所犯罪行的良好證明，因此對審判施以極大的壓力，但赫魯特堅守法律的正義立場，給予了最公正的判決。在宣布判決結(jié)果時，只有亞林對赫魯特審判長的態(tài)度表示贊賞。
超時空輝夜姬！
夏吉優(yōu)子,永瀨安奈,早見沙織,入野自由,內(nèi)田雄馬,松岡禎丞,青山吉能,小原好美,菲魯茲·藍,花江夏樹,釘宮理惠“月讀”是希望與夢想交會的虛擬空間，而舞臺幕布將緩緩升起，見證幾位少女在此譜寫短暫卻珍貴的相遇篇章。 不久的未來…… 東京的 17 歲高中生酒寄彩葉過著非常忙碌的生活，努力在打工和學(xué)業(yè)之間尋找平衡。她的紓壓方式是觀看很有人氣的月見八千代直播，八千代管理名為“月讀”的線上虛擬空間。 彩葉時常光顧月讀，在那里可以體驗不同的人生，自由揮灑創(chuàng)意。她就靠著支持八千代度過空閑時間，還會玩戰(zhàn)斗游戲賺一點外快。有一天，在回家路上，彩葉發(fā)現(xiàn)一根電線桿閃耀著奇異光芒，沒想到電線桿里竟然憑空冒出一個可愛的寶寶。彩葉沒辦法隨手拋棄寶寶，只好把她抱回家，眼睜睜看著她迅速長成一個跟自己同齡的少女。 “你是輝耀姬嗎？” 這是你絕對不曾看過的輝耀姬物語。
萬圣節(jié)傳說
波波·斯圖爾特,格蕾絲·菲普斯,奧斯丁·法爾克,阿德里安娜·巴比歐,凱爾·吉克瑞斯特,山姆·威特沃,巴瑞·波斯威克,格雷戈·格倫伯格,林·沙燁,約翰·蘭迪斯,何塞·巴勃羅·坎蒂略,芭芭拉·克蘭普頓,喬·丹特,亞當(dāng)·格林,羅伯特·拉斯勒,諾阿·西甘,帕特·希利,斯圖爾特·戈登,米克·加里斯,拉斐爾·喬丹,寶拉雅娜·麥金托什,詹姆斯·杜瓦爾,艾麗克斯·埃索,克里斯蒂娜·克萊伯,卡羅琳·威廉姆斯,達納·古爾德1）名叫蒂米的男童怨靈會在萬圣節(jié)當(dāng)晚四處尋找糖果，甚至?xí)榇送陂_他人的肚子；2）小男孩被逼迫去一戶人家惡作劇，結(jié)果被長著角的男主人抓住，兩人一起上街惡搞乃至戕害狂歡的人群；3）某戶人家正坐在客廳看電影，這時有個打扮成巫婆的女孩敲門，卻用刀捅了男主人，恐怖的萬圣節(jié)變成災(zāi)難，當(dāng)然他們正為自己的所作所為付出代價；4）二男一女不良少年團伙在萬圣節(jié)之夜四處欺負(fù)他人，這時打扮成魔鬼的少年出面阻止他們，反而被三人抓住。5）老婦人和親朋們講述了瑪麗?貝利的傳說，那是一個不愿意被人看到的女人的怨靈，如果被她看到可就慘了；6）無法承受喪女之痛的女人在萬圣節(jié)之夜變成了心理失衡的惡魔；7）中年人的對面，搬來幾個重口味的金屬青年，夜幕降臨，他和重金屬們發(fā)生了沖突；8）密林深處，失魂落魄的少女被無情的殺人狂追逐，突然怪事發(fā)生；9）兩個劫匪企圖在萬圣節(jié)綁架某富豪的孩子，怎奈請神容易送神難；10）男人好不容易雕了一個南瓜頭，結(jié)果南瓜頭突然活了過來，大鬧街頭。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
蹂躪
布魯斯·鄧恩,安娜貝爾·德克斯特-瓊斯,埃里克·尼爾森,羅伯特·朗斯特里特,Joshua Brady,羅斯·帕特里奇,Chris Pinkalla,Drake Shannon,邁克爾·韋弗When a nature photographer explains to the Police how she fought her way out of the Watchatoomy Valley, they dismiss her crazed and violent story as a meth-induced nightmare. But when they discover that she's telling the truth, it's too late.
回廊亭殺人事件
常盤貴子,內(nèi)藤剛志,田中圭,田中哲司,趙珉和,德永繪里,入來茉里,井口恭子,増?zhí)镄抟焕?國生小百合,豐田真帆,松尾諭顯赫富商一原高顯（北村總一朗 飾）病故，他的親屬們齊齊來到高級日式客?！盎乩韧ぁ迸e行斷七法事，當(dāng)然最令他們關(guān)心的還是遺產(chǎn)分配事宜。每個人都心懷鬼胎，渴望獲得最大利益，也格外防備著其他人的算計，所謂親情變得不值一提。就在這一關(guān)鍵時刻，一名神秘而美艷的女子突然出現(xiàn)在一原家面前，她自稱本間美代子（常盤貴子 飾），是與死者生前頗有淵源的老婆婆的女兒。夜深人靜，做夢發(fā)財?shù)呢澙分藳]有等到他們的遺產(chǎn)，反而等來死神的光臨。破滅的愛情，破敗的人生，曾經(jīng)種下的惡緣種子，在回廊亭開始發(fā)芽。 本片根據(jù)東野圭吾的原作小說改編。