欲焰焚身

8.5 播放：02萬 2026-05-01

L體追緝令 Body Language 湯姆 貝倫杰主演的推理驚悚片，劇情開展迂回迂回，應(yīng)用男人對性的弱點停止一連串的色誘規(guī)劃，導(dǎo)演喬治．凱西對氛圍的運營尚算勝利。男主角蓋文是一名檢察官，正在辦一宗黑手黨老大被控的案子。他偶爾開車碰到美麗少婦多娜，進一步交往后發(fā)現(xiàn)她長期受丈夫優(yōu)待，并被迫在夜總會扮演托衣舞維生。蓋文情不自禁墜入了多娜的感情圈套中，最后為了得到她的身體更不惜跟多娜協(xié)作謀殺她丈夫，原來整個規(guī)劃竟與黑手黨的案子有關(guān)，令蓋文簡直無法自拔。海蒂．史尚茲飾演多娜，分發(fā)出相當(dāng)火辣的性感吸收力。南希．特拉維斯則飾演不斷關(guān)心蓋文的女律師，其演出冷靜可信。 　　

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麥哲倫

蓋爾·加西亞·貝納爾,達里奧·亞斯貝克·貝納爾,拉斐爾·莫雷斯,托馬斯·阿爾韋斯,保羅·卡拉特雷,羅尼·拉扎羅,Rafa Siguion-Reyna,Ivo Arroja,麥克斯·格羅斯·馬延奇,Roger Alan Koza,奉·卡布雷拉,Hazel Orencio,Daniel Palisa,瓦爾德馬爾·桑托斯,?ngela Ramos,Yvanne Evangelista,Rubén Carballés,Elisabete Pedreira,Sasa Cabalquinto,Amado Arjay

麥哲倫是一位航海家，他秉持人道主義精神和對正義的信仰，反抗國王的權(quán)力。然而，當(dāng)他最終掌管香料艦隊，完成首次環(huán)球航行后，他的旅程又將如何揭開他自身的謎團呢？

昆池巖

魏嘏雋,樸智賢,吳雅妍,文藝媛,樸成焄,柳濟允,李承旭

　　原名南營神經(jīng)精神醫(yī)院的昆池巖精神病院，最早建立于20世紀60年代。在特殊的時代它曾經(jīng)歷了無比的輝煌，然而更為人熟知的則是該醫(yī)院身上所發(fā)生的各類恐怖事件?，F(xiàn)如今，早已廢棄的昆池巖醫(yī)院被CNN票選為全球七大恐怖之地之一，更由此吸引無數(shù)尋求刺激的青年男女來此探險。三個月前，兩名青少年來此探險，結(jié)果在直播中遭遇詭異事件，下落不明。此后，《恐怖世代》劇組在魏河俊的召集下，網(wǎng)羅了吳雅妍、樸智賢、夏洛特（文藝媛 飾）、李丞旭、樸成勛、劉帝允等人前往昆池巖，更試圖打開備受詛咒的402室?！　∫鼓唤蹬R，全球網(wǎng)友一道觀看這場恐怖盛宴……

求藥

何一諾,劉平,李思韻,孛璽宇,胡軼凡,孫梓屹,徐丹,王成,馮丹

　　影片講述父親張釋全因過失導(dǎo)致女兒身亡后誤入邪教，試圖通過求取神藥救治重病兒子，在目睹妻子遭受邪教迫害后幡然醒悟，最終聯(lián)合妻子揭露邪教并將其繩之以法，使兒子獲得正規(guī)醫(yī)療救治的故事。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

盛夏假期遇見愛

艾米麗·巴德,湯姆·布萊斯,莎拉·凱瑟琳·胡克 ,盧錫安·拉維斯科特,邁爾斯·赫爾澤,賈米拉·賈米爾,湯米·杜,盧卡斯·蓋奇,愛麗絲·李,莫莉·香儂,阿蘭·盧克,斯賓瑟·內(nèi)維爾,伊恩·波特,馬德琳·阿庫阿,約翰·賈巴雷,貝瑟妮·安妮·林德,邁克爾·A·紐科默,勞拉·弗蘭納里,萊頓·威廉姆斯,埃米·勒

　　波比（艾米麗·巴德 Emily Bader 飾）自由奔放，亞歷克斯（湯姆·布萊斯 Tom Blyth 飾）循規(guī)蹈矩，這對好友看似格格不入，前后相識已有十年之久。盡管分隔兩地，每年暑假仍會一起度過。旁人都看得出來他們的友情不一般，而當(dāng)兩人終于開始思索彼此或許更適合成為情人時，愛情與友情之間那條微妙的界線也逐漸受到考驗。他們真有可能是天作之合嗎？　　影片根據(jù)艾米莉·亨利的同名暢銷書改編。

登帕卡農(nóng)

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