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?校正單元?
Sonny Middleton,Elleese Bradshaw,Kirsty Smedley,齊亞德·阿巴扎,貝拉·拉姆齊,喬納森·菲利普斯,艾莉森·馬丁·瓊斯 Alison Martin Jones眠山怪影
Herbert M. Dawley臨時家族
張雙利,盛朗熙,李洛伊?校正單元?
Sonny Middleton,Elleese Bradshaw,Kirsty Smedley,齊亞德·阿巴扎,貝拉·拉姆齊,喬納森·菲利普斯,艾莉森·馬丁·瓊斯 Alison Martin Jones沼澤怪物2
路易斯·喬丹,海瑟·洛克萊爾,莎拉·道格拉斯,迪克杜洛克鬼迷藏
Nada Chareontong,Wuttiphat Kijchakan,Long Shi Lee同類精選
河東獅吼
張柏芝,古天樂,范冰冰,黃偉文,許紹雄,張錦程,黃浩然,毛堅77號頂層公寓
芭比·福特薩,Euwenn Mikaell,JC·阿爾坎塔拉,羅桑娜·羅瑟斯,Jackie Lou Blanco,卡洛斯·西古伊納-瑞納,吉娜·帕雷諾,Chrome Cosio狙擊精英∶孤魂野鬼
查德·科林斯,湯姆·貝倫杰,瑞安·羅賓斯,喬什·布雷納,Tuks Tad Lungu,多米尼克·馬厄,Manuel Rodriguez-Saenz,米歇爾·伊薩·盧比歐身在其中
艾莉森·帕拉迪絲,Jean-Baptiste Tabourin,Claude Lulé,Dominique Frot,娜莎麗·羅賽,Fran?ois-Régis Marchasson,碧翠斯·黛爾,Hyam Zaytoun,塔哈·拉希姆,Emmanuel Guez,盧德維克·伯特希爾克,Emmanuel Lanzi,尼古拉斯·迪佛休爾,艾曼·賽義迪富貴再逼人
沈殿霞,董驃消失的證據
鄭媛元,王帥,高迦瀾影視排行
植物學家
葉斯力·加和斯力克,任紫晗,埃拉馬贊·薩赫特,喬馬揚·松哈特,努道勒·亞倫影片講述中國新疆北部邊境的山谷村莊里,孤獨的哈薩克族男孩與植物為伴,他在追尋逝去的時光中,逐漸隱入植物世界的夢幻寓言。
邁克爾·杰克遜:巨星之路
賈法爾·杰克遜,尼婭·朗,勞拉·哈里爾,朱利亞諾·瓦爾迪,邁爾斯·特勒,科爾曼·多明戈,喬·吉列特,卡特琳娜·格蘭厄姆,拉倫茲·泰特,德里克·盧克,杰西卡·蘇拉,漢克·諾思羅普,肯德里克·桑普森,約瑟夫·戴維-瓊斯,內森尼爾·洛根·麥金太爾,凱林·多瑞爾·瓊斯,邁卡·麥克尼爾,莫妮克·林賽,奧利維婭·塔卡格什,凱蒂·凱影片講述邁克爾·杰克遜在音樂之外的人生旅程,從他以杰克遜五人組主唱之姿被發(fā)掘出驚人天賦的那一刻起,直到他成為一位極具遠見的藝人,他以無窮無盡的創(chuàng)作能力激勵自己成為全世界最偉大的娛樂巨星。這部電影同時呈現(xiàn)邁克爾·杰克遜舞臺之外的真實人生,并且重現(xiàn)他早期個人演藝生涯中最具代表性的經典表演,這部電影為觀眾提供最貼近的視角,以前所未見的方式窺探這位流行天王的內心世界。他的故事就此展開。
三滴血2025
胡歌,文淇,高子淇,閆妮,宋佳,高葉,歐豪,李雪琴,楊新鳴,艾麗婭,馬迎春,張奕聰,王悅伊,張本煜,汪鐸,劉千慈三,是家的最小單位。血脈,是維系家庭的紐帶。然而,三個素不相識的人卻被命運交織在一起! 善惡難辨的男人“馴鹿”,身懷六甲的女人李棋,啞巴男孩冰棍,三人假扮成一家人,游走于獵物與獵人之間,暗流已至,生死一瞬,一個關于家族式人口販賣的黑暗鏈條逐漸浮出水面!
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster