劇情縱覽
講述了男主人公在女鬼們的幫助下實(shí)現(xiàn)初戀的故事
講述了男主人公在女鬼們的幫助下實(shí)現(xiàn)初戀的故事
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
該片以詩(shī)圣杜甫創(chuàng)作鳳凰臺(tái)為引,講述了三位甘肅成縣人士回鄉(xiāng)參加鄉(xiāng)賢大會(huì)時(shí),揭開了一段深埋于記憶長(zhǎng)河的往事。
王爾德飾演一名復(fù)仇天使,幫助受害者們向施虐者復(fù)仇。
一場(chǎng)車禍后,林月家里怪事連連,全身冰冷的姐姐,鏡子里看不見家人的身影,黑夜里爸爸窺探的雙眼,每天凌晨閣樓傳來(lái)的彈珠聲,林月循聲而上,當(dāng)閣樓的門被打開,卻發(fā)現(xiàn)里面緊鎖的卻是自己的遺像……