即刻觀影
劇情賞析
編輯推薦
青出于藍2025
索菲婭·莉莉絲,戴夫·巴蒂斯塔,鮑比·坎納瓦爾,凱特·德爾·卡斯蒂洛,杰克·尚皮永,托尼·達爾頓,布魯·德爾·巴里奧,印達·納瓦雷特,惠特尼·皮克,澤爾·亞當斯DEA agent and partner pursue thieves: their own rebellious teens, who began robbing cartel using parent tactics and classified intel.
贖命
Leslie-Anne Huff,Roy Werner,Kimberly Estrada,陳奕迅,Lee Perkins少女凱特（萊斯利-安妮·哈芙 Leslie-Anne Huff 飾）擁有一種神奇的能力，隨便什么人，她只要看上一眼，便能知道他的死期為何時。一次偶然中，凱特遇見了名為杰森（Anthony Chaput 飾）的男子，凱特發(fā)現(xiàn)杰森擁有能夠在死后和現(xiàn)世交流的能力，并且，杰森的死期就在幾個小時之后。一直想要知道死后世界是什么模樣的凱特擺脫杰森在死后同她聯(lián)絡(luò)，杰森興然應(yīng)允。 果然，很快杰森便死了，在臨死之時，一副詭異恐怖的畫面出現(xiàn)在了杰森的眼前。之后，凱特果然接到了杰森來自“陰間”的電話，根據(jù)杰森的指使，凱特需要前往香港，在那里，一位名叫達倫（陳奕迅 飾）的酒保正在等她。
小前提
Sathya Sridharan,帕頓·阿什布洛克,達納·艾希布魯克Attempting to surpass his father's legacy, a reclusive neuroscientist becomes entangled in his own experiment, pitting ten fragments of his consciousness against each other.
FPS
道本成美,泉知束,米澤成美,南久松真奈,巖永ひひお佐藤鈴（道本成美）為了逃避母親（南久松真奈）的過度干涉，在川上信夫（泉知束）的引導下，前往東京的一處房產(chǎn)進行內(nèi)覽。盡管被告知前住戶山本孝雄（巖永ひひお）因欠租而失蹤，鈴仍被這處優(yōu)質(zhì)房產(chǎn)所吸引。信夫提議她單獨繼續(xù)內(nèi)覽時，鈴順從了他的建議。然而，她在房中聽到某種不祥的聲音，被引導著打開了一扇通往異世界的門，隨后被強行拉了進去。醒來后，她發(fā)現(xiàn)自己身處一座荒廢的巨大建筑中，迷茫中遇到了自稱山本孝雄的男子。這個空間被某個怪物所支配，既無法逃脫，也無法死去，真正的無間地獄。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
別開門
徐立,曲少石,楊瓏,劉著,劉金,曹禹澄,李鶴楠,趙洪紀,李昕芮,王昌,熊競宇云南某小鎮(zhèn)上的一家客棧，浪蕩不羈的老板楊浩（曲少石 飾）與女服務(wù)員鬧鬧（曹蕾 飾）有染，還想方設(shè)法勾搭實習女服務(wù)生曉菲（徐立 飾）。柳經(jīng)理看在眼里，忍氣吞聲。這一天，楊浩的發(fā)小蹦燈兒（李鶴楠 飾）海外留學歸來。兩個好朋友一個德行，都有著輕浮虛化的言行。為了給好友接風，楊浩召集柳經(jīng)理、曉菲、鬧鬧、后廚的仙爺、華子、小胖等人大擺筵席。夜深人靜，安靜的小院內(nèi)響起了陰冷清脆的高跟鞋聲，接著一個披頭散發(fā)的女人影影綽綽出現(xiàn)在各個角落?！ ⌒膽压硖サ膫€人，將經(jīng)歷最恐怖的一夜……