午夜性運(yùn)行

超級(jí)黑暗時(shí)代

　　故事發(fā)生在上世紀(jì)90年代的一個(gè)美國(guó)小鎮(zhèn)上。扎克和喬西從童年時(shí)就是最好的朋友，他們每天一起騎車上下學(xué)，放學(xué)后一起玩耍，甚至喜歡上同一個(gè)女孩。然而平靜的生活在某天下午被徹底打破了。聚會(huì)因大麻而失控，朋友達(dá)里爾在教室里失血過(guò)多身亡，男孩們恐慌無(wú)措地要彼此發(fā)誓保密，扎克簡(jiǎn)單的生活仿佛被撕開了一道巨大的口子，整日被罪惡感壓迫地喘不過(guò)氣，喬西則索性不再上學(xué)，甚至不再走出家門一步。曾經(jīng)密不可分的兩個(gè)男孩在數(shù)日后便產(chǎn)生了不可逾越的鴻溝……

公寓2024

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

老兄救命

北區(qū)偵緝隊(duì)

　　2012年，馬賽北部地區(qū)是全法國(guó)犯罪率最高的地區(qū)。在上級(jí)領(lǐng)導(dǎo)的壓力下，BAC Nord警隊(duì)不斷改進(jìn)工作方式。在高風(fēng)險(xiǎn)地區(qū)，警察選擇改變工作手段，有時(shí)甚至?xí)竭^(guò)界限。直到有一天，法律形勢(shì)開始對(duì)他們變得不利……