新奇
當(dāng)今各種交友軟體推陳出新，約炮文化盛行，人人都只想要談場(chǎng)速食愛情。生于千禧世代的馬汀和蓋比因?yàn)榻挥衍涹w而相識(shí)，隨即陷入如膠似漆的熱戀期，感情卻隨著時(shí)間過(guò)去越趨平淡，兩人都迫切渴望擁有新的刺激。身處在這個(gè)充斥;開放式關(guān)系 的花花世界里，這對(duì)情侶究竟能否維持;穩(wěn)定交往中 ;的感情狀態(tài)，還是會(huì)徹底迷失在選擇泛濫的社群網(wǎng)路之中
劇情簡(jiǎn)介
當(dāng)今各種交友軟體推陳出新，約炮文化盛行，人人都只想要談場(chǎng)速食愛情。生于千禧世代的馬汀和蓋比因?yàn)榻挥衍涹w而相識(shí)，隨即陷入如膠似漆的熱戀期，感情卻隨著時(shí)間過(guò)去越趨平淡，兩人都迫切渴望擁有新的刺激。身處在這個(gè)充斥;開放式關(guān)系 的花花世界里，這對(duì)情侶究竟能否維持;穩(wěn)定交往中 ;的感情狀態(tài)，還是會(huì)徹底迷失在選擇泛濫的社群網(wǎng)路之中
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我是自愿讓他殺了我
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等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
修女2
泰莎·法米加,喬納斯·布洛凱,斯托姆·瑞德,安娜·帕波維爾,邦妮·阿倫斯,凱特琳·羅斯·道尼,蘇珊娜·伯蒂什,萊昂廷·翁西厄,阿努克·達(dá)爾文·霍梅伍德,彼得·哈德森,塔瑪爾·巴魯克,娜塔莉·薩福蘭,馬克西姆·伊萊亞斯-梅內(nèi)特,帕斯卡·歐貝,亞歷山德拉·詹蒂爾,弗洛倫斯·梅斯泰,瑪歌·波萊爾,維維安娜·莫因,雷納塔·帕爾米涅洛,富爾維婭·帕特里齊亞·奧利維埃里故事發(fā)生在1956年的法國(guó)，一名牧師慘遭謀殺，某種邪惡正在散播，艾琳修女（泰莎·法米加 Taissa Farmiga 飾）將再次與鬼修女瓦拉克（邦妮·阿倫斯 Bonnie Aarons 飾）展開正面對(duì)決。
旺姆的夏天
旺卓措,久巴,卓杰澤仁,澤王拉姆,落周求吉尼瑪該片根據(jù)編劇的童年經(jīng)歷進(jìn)行創(chuàng)作。影片講述女主旺姆在丈夫離世之后，秉持著傳統(tǒng)，為了丈夫來(lái)世不需背負(fù)生前的債務(wù)，而接手丈夫生前巨額的債務(wù)替他還債，從而一步一步被生活逼到絕境的故事。
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手遮天
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