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木匠之子
尼古拉斯·凱奇,諾亞·尤佩,小枝女孩,伊斯拉·約翰斯頓,索海拉·雅各布,Penelope Markopoulou,Orestis Paliadelis,埃莉娜·托帕麗朵,馬諾利斯·馬諾里斯,Thekla Gaiti,Kaiti Manolidaki,Dimitris Louskos,Stavros Kottas,Zisis Papaioannou,Michalis Ioannou,Viktor Hristov,Odisseas Zikas,Gary Salomon,Lee Papadakis,Harila羅馬帝國統(tǒng)治下的埃及，一個(gè)家庭為躲避追殺而隱秘生活。家中年輕的兒子（被稱為“男孩”）開始對(duì)自己的監(jiān)護(hù)人（被稱為“木匠”）的身份和教誨產(chǎn)生深深的懷疑?！ ∧泻Ⅲw內(nèi)沉睡著某種神秘而強(qiáng)大的超自然力量。隨著他的成長與反叛，這股力量開始覺醒并失控。每當(dāng)他動(dòng)用一次能力，就會(huì)打破現(xiàn)實(shí)的脆弱平衡，招致更可怕的反噬——他們不僅要面對(duì)羅馬士兵的世俗威脅，更要遭遇因褻瀆神明而引發(fā)的、超越自然規(guī)律的恐怖現(xiàn)象：尼羅河水逆流、沙暴中浮現(xiàn)古老邪靈、瘟疫以超自然的方式蔓延…… 這個(gè)家庭被迫在雙重恐懼的夾縫中求生：一邊是外部世界的追捕，另一邊是來自男孩自身力量的、逐漸失控的神性（或魔性）災(zāi)難。
惡魔的耳語
盧卡·奧利爾15歲的艾利克斯來自一個(gè)天主教家庭，他希望自己將來能成為一個(gè)牧師。當(dāng)他無意中發(fā)現(xiàn)并打開了一個(gè)神秘的盒子之后，放出了一個(gè)一心要占據(jù)他身體的惡魔。艾利克斯必須找到辦法打敗這個(gè)一直在折磨兒童的古老的惡魔，否則將會(huì)毀掉他和所有他愛的人。
執(zhí)法記錄
杰米·M·卡利卡,肖恩·羅格森,凱瑟琳·拉夫·哈格奎斯特,Angel Prater,基岡·康納·特雷西,Chris Casson,Elizabeth Longshaw,Colette Nwachi,Joe Perry,Kevin Doree兩名警察在出警處理一樁家庭糾紛時(shí)，不慎釀成了一起槍擊意外。為了避免成為輿論的眾矢之的，他們選擇聯(lián)手掩蓋真相。隨著事態(tài)逐漸失控，他們才驚覺——監(jiān)視他們的，遠(yuǎn)不止現(xiàn)場(chǎng)的攝像頭…
一一
吳念真,李凱莉,金燕玲,張洋洋,蕭淑慎,尾形一成,陳希圣,林孟瑾,陳以文,柯宇綸,張育邦,柯素云,唐如韞,徐淑媛,曾心怡,陶傳正NJ（吳念真）是個(gè)很有原則的生意人，同妻子敏敏（金燕玲）、女兒婷婷（李凱莉）、兒子洋洋（張楊洋）以及外婆住在臺(tái)北某所普通公寓里。小舅子的一場(chǎng)麻煩婚禮過后，因?yàn)橥馄磐蝗恢酗L(fēng)昏迷，他迎來更加混亂的日子。敏敏公司、家里兩頭跑，時(shí)常感覺自己要被耗空；婷婷一直為外婆的中風(fēng)內(nèi)疚，戀愛談到中途發(fā)現(xiàn)自己不過是替代品；NJ更是麻煩重重，公司面臨破產(chǎn)，他又不愿放下別人眼里一文不值的自尊。一家人里，似乎只有洋洋沒有煩惱，他平靜地用照相機(jī)拍著各種人的背面，幫他們長出另一雙眼睛，然而，洋洋簡簡單單的一句話，道出更深的悲涼。
那個(gè)人在想什么事情
John Price,Preben Neergaard,Lotte TarpThe main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.
走出叢林
布里姬特·霍博梅爾,Sarah Zaharanski瑪麗安離開了她一直生活的城市，回到了成長的地方，并從祖母那里繼承了一棟老房子。最近的村莊有十公里遠(yuǎn)，沒有電，也沒有熱水。有時(shí)，屈服于災(zāi)難是重新開始的唯一方法。