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詭愛
辛芷蕾,成毅,于毅,葉熙祺,張哲瀚,何珮瑜,邢岷山著名電臺(tái)女主播蕭瀟雅（辛芷蕾 飾）在結(jié)婚前七天，因親眼目睹名作家未婚夫李明軒與前女友許嘉雯（何佩瑜 飾）偷情，蕭蕭雅忍受不了背叛出軌的傷痛而自殺，幸被搶救復(fù)生，男友李明軒卻墜樓身亡……是自殺還是他殺還沒有揭曉真相，李明軒的前女友許嘉雯卻又死于非命，李明軒的弟弟李明炎（張 哲瀚 飾）一直對(duì)哥哥的死覺得離奇，經(jīng)調(diào)查發(fā)現(xiàn)偷情背叛事件出自許嘉雯和薛威（于毅 飾）策劃的，在真相還沒有大白前，薛威也相離奇死亡……誰(shuí)是幕后真兇？是陰陽(yáng)兩隔的戀人的瘋狂復(fù)仇？是橫刀奪愛者的殺人滅口？還是宿命在愛情開始的一刻早已注定？
葬送
蔻碧·米納菲,尼爾·桑迪蘭茲,凱特·伯頓,皮特·普勞澤克,沃恩·阿姆斯特朗,切爾西·阿爾登,Alaina Pollack,Riley Rose Critchlow,洛拉·凱莉,Mia EllisA grieving mother hires an enigmatic stranger to perform a ritual to resurrect her late husband. When the ceremony goes out of control, mother and daughter must overcome their differences and fight for survival.
驚變28年2：白骨圣殿
阿爾菲·威廉姆斯,拉爾夫·費(fèi)因斯,杰克·奧康奈爾,基里安·墨菲,艾瑪·萊爾德,毛拉·伯德,艾琳·凱利曼,齊·劉易斯-帕里,羅伯特·羅茲,薩姆·洛克,吉哈茲·艾爾·魯法埃,娜塔莉·庫(kù)斯托,Elliot Benn末日喪鐘再度敲響，帶領(lǐng)觀眾直視人性毀滅的煉獄，感染者的威脅和幸存人類的邪惡。
水底驚魂
丹尼爾·祖瓦圖,邦妮·丹尼森,克里斯·康羅伊,喬尼·奧爾西尼,葛瑞芬·紐曼,Mackenzie Rosman,馬克·馬戈利斯陽(yáng)光明媚的日子里，約翰（丹尼爾·佐瓦特 Daniel Zovatto 飾）和凱蒂（邦妮·戴尼森 Bonnie Dennison 飾）、麥特（克里斯·克羅伊 Chris Conroy 飾）、齊克（格里芬·紐曼 Griffin Newman 飾）、西蒙（約翰尼·奧希尼 Jonny Orsini 飾）和黛比（Mackenzie Rosman 飾）等五名好友，驅(qū)車來到一個(gè)毗鄰湖邊的僻靜所在進(jìn)行他們畢業(yè)前的紀(jì)念派對(duì)。他們劃著小船來到湖中央，曾經(jīng)有著恐怖記憶的約翰對(duì)這片水域頗多忌憚，但是他膽大妄為的伙伴們則競(jìng)相跳入水中，享受戲水的快樂時(shí)光。誰(shuí)知好景不長(zhǎng)，先是小船遭到猛烈碰撞，接著黛比被一條怪魚咬傷致死?！ ∧贻p人的噩夢(mèng)由此展開，他們的磨難還未就此結(jié)束，嗜血獵手漸次向他們逼近……
名偵探柯南：獨(dú)眼的殘像
高山南,山崎和佳奈,小山力也,速水獎(jiǎng),高田裕司,小清水亞美,草尾毅,飛田展男,高木涉,湯屋敦子,茶風(fēng)林,岸野幸正,綠川光,山田孝之,山下美月“我想起來了……”沉睡的記憶與真相即將覺醒?！ 」适乱蚤L(zhǎng)野縣為舞臺(tái)，高人氣角色“長(zhǎng)野三人組”大和敢助、諸伏高明、上原由衣將登場(chǎng)亮相。當(dāng)毛利小五郎警視廳時(shí)期同事“鱷魚”遭遇意外，與致使大和敢助“獨(dú)眼”的神秘雪崩案交織，無法兌現(xiàn)的承諾和獨(dú)眼中的殘像就此重疊。雪花飛舞，真相與愛意終將明晰！這一次，毛利小五郎將不再沉睡，與柯南、大和敢助等人攜手探案，親手揭開掩埋于雪山之下的秘密與真相……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.