情事：善良的阿姨
男主到外地的阿姨家里寄宿，阿姨非常風(fēng)騷，常常在男主面前穿低胸裝，還不經(jīng)意的露出內(nèi)褲，讓男主非常興奮，于是偷窺叔叔阿姨XO，然后一邊打飛機(jī)，然而打到一半，叔叔已經(jīng)不行了，寂寞的阿姨出門就撞見打飛機(jī)的男主，饑渴的阿姨不由分說的就跟男主搞在了一起，二人愈演愈烈，甚至在各個(gè)地方XO，包括椅子上，秋千上，甚至戶外的草地上，而當(dāng)叔叔撞見阿姨和男主的這一幕時(shí)，他的下體似乎重新振奮了....
即刻觀影
劇情賞析
編輯推薦
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
最后的救贖2024
娜塔莉·伯恩,詹姆斯·科茲莫,Denisa Juhos在這片充滿劍和魔法的土地上，土匪們?yōu)榱吮Ｗo(hù)一個(gè)小女孩而脫離了他們的幫派，讓他們與曾經(jīng)像他們父親一樣的老朋友和前領(lǐng)導(dǎo)人對(duì)抗。
機(jī)動(dòng)戰(zhàn)士高達(dá)閃光的哈薩維
小野賢章,上田麗奈,諏訪部順一,齊藤壯馬,津田健次郎,石川由依,落合福嗣,武內(nèi)駿輔,早見沙織,松岡美里,澤城千春,宮崎游,天崎滉平,綿貫龍之介,田中光,草野峻平,種崎敦美,新祐樹,綾見有紀(jì),鷲見昂大,尼古拉·法萊那澤,越后屋浩介,藤高智大,Volcano太田,川口啟史,田村千惠,井川秀榮,吉富英治,木曾寬子,佐佐木祐介,吉田健司,高橋雛子,高橋大輔,瀧村直樹,福西勝也,佐伯美由紀(jì),本多新也,木野日菜,內(nèi)田紳一郎,櫻岡敦子,地藏堂武大,川上洋平,磯部寬之,白井真輝,ASHLEY,JAMES,SAYAKA,山本作以哈薩維為主角，采取三部曲的形式，講述“逆襲的夏亞”之后的故事。
他人即地獄(日影)
八村倫太郎,柳俊太郎,岡田結(jié)實(shí),三浦健人,青木さやか,大倉空人,萩原圣人,鈴木武,星耕介,濱津隆之,日比美思,松角洋平,大野泰廣「他人は地獄だ」は、地方から上京してきたユウが、不気味な入居者が暮らすシェアハウス「方舟」への入居をきっかけに、不可解な出來事が発生するサスペンスホラーだ。ヨンキ氏が描いたスリラー漫畫の舞臺(tái)を日本に置き換え、八村はユウ、柳は「方舟」のリーダー的存在のキリシマ、そしてユウの戀人?メグミを?qū)铯荬袱搿?/p>
愛上平行時(shí)空的你
米拉·埃爾紹娃,尤里·納索諾夫,安東·瓦西利耶夫,柳德米拉·阿爾捷米娃,安東·阿爾特梅夫,埃爾尚·阿列斯克羅夫,納德茲達(dá)·伊萬諾娃,羅扎·哈伊魯林娜,瑪麗亞·克羅托娃,尤里·李,康斯坦丁·梅爾茲利金,葉夫根尼·塔庫耶夫艾莉莎搬進(jìn)了圣彼得堡一間寬敞的公寓，公寓里的鏡子卻開始出現(xiàn)故障。它向這位年輕的房客展現(xiàn)了同一個(gè)公寓的平行世界，只不過，在這個(gè)平行世界里生活的不是艾麗莎，而是和她搶這間公寓的派對(duì)狂人伊萬。這兩位年輕人能否認(rèn)清真愛？他們又能否讓兩個(gè)世界相連，在現(xiàn)實(shí)中相遇，只為簡(jiǎn)單地觸碰彼此？
冷光中
麥卡·夢(mèng)露,艾倫·霍科,特洛伊·科特蘇爾,杰西·厄文,海倫·亨特,帕特里克·薩邦圭,戴維·哈索姆,瓦羅娜·塞茨瓦埃洛,諾亞·帕克,Jessica Abruzzese,Geena Meszaros,特雷西·麥克馬洪,Yannick Lemos,Steven Miller,Barry Tuff,奧斯汀·范德坎普,Margaux Vaillancourt,Jonathan Klotz,Don Bland,Rachelle Glait出獄后的艾娃試圖重新開始，卻被哥哥卷回毒品交易。警方設(shè)局致哥哥身亡，她再度逃亡。好友遇害、父親背叛、親情撕裂下，艾娃鋌而走險(xiǎn)，與毒梟交易并清除叛徒，最終再次入獄。