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黑色鉆石
因巴爾·拉維,杰克·麥克勞克林,肖恩·西珀斯,雷·潘莎基,Michael James Bell,Kelli Jordan,伊森·瑞奇,Sara Lyons,Tristan Cunningham,Adrian Bergere,Wyatt Denny,Eric WalworthFollows a young woman whose idyllic life with her hedge funder boyfriend turns it into a deadly triangle of lust, obsession and murder after meeting a local cowboy handyman.
萇山虎
廉晶雅,樸赫權(quán),申隣雅,李俊赫,方柔雪,許真,李律,李在恩熙璉（廉晶雅飾）的兒子俊敘在首爾走失了，傷心欲絕的她帶著失憶的婆婆回到老家萇山休養(yǎng)，希望婆婆能早點(diǎn)想起俊敘是怎么失蹤的。有一天，熙璉在萇山附近的洞穴遇見一個衣衫襤褸的神祕女孩，或許是同情憐憫，或許是空虛寂寞，熙璉將女孩帶回家，打算在找到無名女孩的父母之前照顧她。兩人日漸親近，漸漸地女孩變得好像熙璉的女兒一樣，她喊起熙璉「媽媽」，還叫自己「俊?！梗菝才c音聲越來越像消失無蹤的「俊敘」。神秘女孩到來之后，陸陸續(xù)續(xù)發(fā)生難以理解的怪事，熙璉的婆婆先是幻聽，然后還被傳說中棲息在萇山洞穴的妖物擄走……熙璉能夠找回兒子俊敘嗎？破碎的一家能在妖怪陰影之下再度團(tuán)圓嗎？
心靈與智慧
德懷特·戴維·艾森豪威爾,William Marshall,喬治·皮杜爾本片是由哥倫比亞電影公司出資委任電視紀(jì)錄片導(dǎo)演皮特?戴維斯（Peter Davis）拍攝的一部探討美國為何在1959-1975年期間發(fā)動對越戰(zhàn)爭，越南人民的悲慘遭遇，以及美國人民對越戰(zhàn)態(tài)度轉(zhuǎn)變的紀(jì)錄片。這是美國本土首次放映直接采訪刻畫越南平民慘境的影片，片中多次表現(xiàn)了美軍將領(lǐng)的種族主義和美國政府對國內(nèi)人民的無恥欺騙。電影于1974年在法國嘎納電影節(jié)首映，隨即便因內(nèi)容的嚴(yán)重爭議性被哥倫比亞公司擱置。制片人波特?施耐德（Bert Schneider）與亨利?蘭格（Henry Lange）向哥倫比亞公司買回了版權(quán)，并終于1975年通過華納公司在美國公映。本片獲1974年奧斯卡最佳紀(jì)錄片獎，并被提名同年金球獎最佳紀(jì)錄片。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
北京猿人
緒形直人,王祖賢,哀川翔,丹波哲郎,坂上忍,小野賢章侵華戰(zhàn)爭時期，日本人將掠得的北京猿人頭骨偷運(yùn)回國，途中沉沒，成為一樁疑案。當(dāng)年日本人將頭骨化石偷運(yùn)回國，隱藏幾十年后，在和平環(huán)境下重新進(jìn)行研究。他們將頭骨化石中的DNA殘片提取出來，進(jìn)行培育，然后送入太空，據(jù)說這樣便可以憑借太空中的粒子幅射，使其蘊(yùn)育成熟。不料，載著北京猿人胚胎的飛船失事，墜入海島，而北京猿人卻成功地誕生了?！ 《踝尜t扮演的中國美麗女間諜的使命就是將北京猿人偷運(yùn)回國，從此便和日本科學(xué)家展開了明爭暗斗。最后，雙方不分輸贏，而是達(dá)成了共識：北京猿人不是任何一國的財富，他們屬于大自然。于是，猿人一家三口和一只同樣由基因技術(shù)復(fù)制出來的猛瑪象被放歸了自然。