血淚江湖

? 8.5 播放：26萬 2026-04-29
主演：未知

阿誠為找錢救他病重的妻子阿滿，便到賭坊出千詐賭。賭坊認(rèn)識江湖黑幫頭目金萬利，金送一批金錢，更將出千詐賭之事調(diào)息，但阿誠之妻子也沒法救治而死去。阿誠為報答金之幫忙，便替金賣力，不擇手段爭取地盤更將兩大黑幫龍頭殺掉。阿誠新識女友容容，相貌與前妻極之類似，容容先母背后與金有不解之仇，金髮覺后將容容先姦后殺。阿誠怒起殺機(jī)，誓要‥‥

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? 播放 血淚江湖

劇情提要

阿誠為找錢救他病重的妻子阿滿，便到賭坊出千詐賭。賭坊認(rèn)識江湖黑幫頭目金萬利，金送一批金錢，更將出千詐賭之事調(diào)息，但阿誠之妻子也沒法救治而死去。阿誠為報答金之幫忙，便替金賣力，不擇手段爭取地盤更將兩大黑幫龍頭殺掉。阿誠新識女友容容，相貌與前妻極之類似，容容先母背后與金有不解之仇，金髮覺后將容容先姦后殺。阿誠怒起殺機(jī)，誓要‥‥

幕后花絮

黎娜需要愛

　　黎娜（艾米麗亞·舒勒 Emilia Schüle 飾）的故事非常悲傷和充滿挫折。她從小生活在單親家庭中，母親只顧著自己的情感生活，忽視了對黎娜的關(guān)愛和支持。因此，她在學(xué)校里無法與同學(xué)們建立良好的關(guān)系，被視為怪異的存在，感到孤立和無助。然而，黎娜有一個隱藏的天賦：視覺藝術(shù)。她通過社交網(wǎng)絡(luò)平臺結(jié)識了同班同學(xué)提姆（雅尼克·許曼 Jannik Schümann 飾），兩人因?yàn)閷λ囆g(shù)的共同熱愛逐漸互相了解和傾訴心聲。他們的心靈相通，找到了互相支持和理解的溫暖?！　∪欢枘鹊奈ㄒ缓糜驯撑蚜怂?，陷害她成為賣提姆毒品的告密者。從那一刻起，她遭受了持續(xù)的誣陷和誤會，被社會孤立和排斥。無論她多么努力地解釋自己的清白，都無法挽回已經(jīng)造成的后果。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.