哥本哈根綜合癥
During暫無內(nèi)容a暫無內(nèi)容bank暫無內(nèi)容holdup,暫無內(nèi)容a暫無內(nèi)容teenaged暫無內(nèi)容boy暫無內(nèi)容and暫無內(nèi)容girl暫無內(nèi)容(Karl暫無內(nèi)容Wagner暫無內(nèi)容and暫無內(nèi)容Marianne暫無內(nèi)容Svendsen)暫無內(nèi)容are暫無內(nèi)容taken暫無內(nèi)容hostage暫無內(nèi)容by暫無內(nèi)容the暫無內(nèi)容robbers.暫無內(nèi)容After暫無內(nèi)容a暫無內(nèi)容very暫無內(nèi)容pleasant暫無內(nèi)容captivity,暫無內(nèi)容during暫無內(nèi)容which暫無內(nèi)容they暫無內(nèi)容play暫無內(nèi)容Monopoly暫無內(nèi)容with暫無內(nèi)容their暫無內(nèi)容captors,暫無內(nèi)容they暫無內(nèi)容escape暫無內(nèi)容into暫無內(nèi)容the暫無內(nèi)容countryside.暫無內(nèi)容The暫無內(nèi)容two暫無內(nèi)容consummate暫無內(nèi)容their暫無內(nèi)容first暫無內(nèi)容love暫無內(nèi)容and暫無內(nèi)容have暫無內(nèi)容a暫無內(nèi)容number暫無內(nèi)容of暫無內(nèi)容delightful暫無內(nèi)容adventures暫無內(nèi)容but暫無內(nèi)容eventually暫無內(nèi)容must暫無內(nèi)容return暫無內(nèi)容to暫無內(nèi)容their暫無內(nèi)容everyday暫無內(nèi)容lives.
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劇情提要
During暫無內(nèi)容a暫無內(nèi)容bank暫無內(nèi)容holdup,暫無內(nèi)容a暫無內(nèi)容teenaged暫無內(nèi)容boy暫無內(nèi)容and暫無內(nèi)容girl暫無內(nèi)容(Karl暫無內(nèi)容Wagner暫無內(nèi)容and暫無內(nèi)容Marianne暫無內(nèi)容Svendsen)暫無內(nèi)容are暫無內(nèi)容taken暫無內(nèi)容hostage暫無內(nèi)容by暫無內(nèi)容the暫無內(nèi)容robbers.暫無內(nèi)容After暫無內(nèi)容a暫無內(nèi)容very暫無內(nèi)容pleasant暫無內(nèi)容captivity,暫無內(nèi)容during暫無內(nèi)容which暫無內(nèi)容they暫無內(nèi)容play暫無內(nèi)容Monopoly暫無內(nèi)容with暫無內(nèi)容their暫無內(nèi)容captors,暫無內(nèi)容they暫無內(nèi)容escape暫無內(nèi)容into暫無內(nèi)容the暫無內(nèi)容countryside.暫無內(nèi)容The暫無內(nèi)容two暫無內(nèi)容consummate暫無內(nèi)容their暫無內(nèi)容first暫無內(nèi)容love暫無內(nèi)容and暫無內(nèi)容have暫無內(nèi)容a暫無內(nèi)容number暫無內(nèi)容of暫無內(nèi)容delightful暫無內(nèi)容adventures暫無內(nèi)容but暫無內(nèi)容eventually暫無內(nèi)容must暫無內(nèi)容return暫無內(nèi)容to暫無內(nèi)容their暫無內(nèi)容everyday暫無內(nèi)容lives.
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重返寂靜嶺
杰瑞米·艾文,漢娜·艾米莉·安德森,艾維·坦普爾頓,羅伯特·斯特蘭奇,皮爾斯·伊根,尼科拉·亞歷克西斯,伊芙·麥凱林,朱莉婭·佩拉加蒂,埃米莉·卡丁,瑪?shù)倌取だ聿槠?霍華德·薩德勒,馬迪奧·帕斯奎尼,梅麗莎·格雷厄姆,勞拉·杜魯,卡莉亞·杜魯,斯拉維薩·伊萬諾維奇,阿拉娜·瑪麗亞,塔瑪拉·里斯托斯卡,賈斯珀·沙龍,桑迪·E·斯科特神奇柑仔店真人版
天海祐希,大橋和也,伊原六花,上白石萌音,平澤宏宏路,伊禮姬奈,白山乃愛,番家天嵩,今濱夕輝乃,山本未來,渡邊圭祐,田中里衣,大河原次郎養(yǎng)鬼吃人7
卡瑞·伍爾 , 保羅·瑞斯 , Simon Kunz7A公寓
朱莉婭·加納,黛安·韋斯特,吉姆·斯特吉斯,凱文·麥克納利,安德魯·巴肯,寇布勒·霍爾德布魯克-史密斯,瑪里·休,羅西·麥克尤恩,妮基塔·查達(dá)哈,帕特里克·利斯特,詹姆斯·斯旺頓,愛米莉·利森,Brooke Walter,Mellanie Hubert,阿聶爾·德賽,迪倫·鮑德溫,Hannah Morley,斯科特·休姆,朱莉婭·威斯科特-哈頓,Andre Lillis湯姆·賽格拉：好為人師
湯姆·賽格拉抱得美人歸
亞歷克·鮑德溫,金·貝辛格大地1937
保羅·穆尼,路易絲·賴納,沃爾特·康諾利,蒂莉·洛施,查利· 格雷普韋恩,杰茜·拉爾夫,楊秀,陸錫麒,羅蘭·郭,Suzanna Kim,李清華,Harold Huber,奧拉夫·許滕,William Law,黃柳霜,安必立,Philson Ahn,Chester Gan,Betty Soo Hoo,James B. Leong,Bessie Loo,理查德·洛,Clarence Lung,阿瑟·馬克斯,查爾斯·米德爾頓,Miki Morita,Layne Tom Jr.,甘岱棠,Sammee Tong,I幕后花絮
正人君子2024
達(dá)到合格率99%，顧客滿意度100%的自薦書代筆人寶允，聲名大噪的她本人卻在為公務(wù)員考試而煩惱，在超市打工的她每天都過得非常不如意。為了就業(yè)被意想不到的事件所糾纏。寶允的人生漸漸陷入無法控制的困境
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.