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? 播放 裸身諾曼底

劇情提要

為了搶救生計(jì)，他們必須「全裸入鏡」 隨著肉類價(jià)格不斷下跌，法國的畜牧業(yè)面臨前所未有的危機(jī)。諾曼第的一個(gè)小村莊也面臨相同的問題，無奈他們的抗議和示威都無法獲得政府的重視。某天一位來自美國的裸體攝影師恰好經(jīng)過這個(gè)小鎮(zhèn)，市長因此想出一個(gè)絕妙的點(diǎn)子讓村民集體拍裸照來獲得關(guān)注！為了實(shí)行這個(gè)計(jì)畫，他必須挨家挨戶地說服村民脫掉衣服

幕后花絮

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

獵殺杰西卡·布洛克

　　A retired special forces agent must battle a group of vengeful psychopaths and the African wilderness to get back to her daughter.