戰(zhàn)國(guó)洛克:疾風(fēng)女人們

評(píng)分:3.9 播放:46萬(wàn) 更新:2026-05-01
主演: 田中真理 続圭子 

戦國(guó)ロック 疾風(fēng)之女たち 戰(zhàn)國(guó)時(shí)代,世道紛亂,正邪顛倒。在一個(gè)名叫天魔谷的地方,天魔太郎(梶健司 飾)、新田次郎(荒戸源次郎 飾)、三途三郎(五條博 飾)、池四郎四兄弟雄踞于此,干著剪徑的營(yíng)生。此外,以冷眼少女庵(田中真理 飾)為首的7人疾風(fēng)少女組也在這里出沒。兩組人馬經(jīng)常聚會(huì),飲酒食肉,盡情享樂(lè)。某日,天魔太郎探得將有運(yùn)送120支槍的隊(duì)伍在附近經(jīng)過(guò),遂決定將其截丅。不過(guò)運(yùn)送方早有防備,天魔一伙撲了個(gè)空,而深噯太郎的庵技高一籌,搶丅這批槍支。 不久,少女們結(jié)伴去城中游玩,名叫奈奈(shan科ゆり 飾)的被追查槍支的人抓住折磨致死,疾風(fēng)少女組更遭到慘烈打擊。與此同時(shí),幕后的陰謀也慢慢浮出水面  

劇情簡(jiǎn)介

戦國(guó)ロック 疾風(fēng)之女たち 戰(zhàn)國(guó)時(shí)代,世道紛亂,正邪顛倒。在一個(gè)名叫天魔谷的地方,天魔太郎(梶健司 飾)、新田次郎(荒戸源次郎 飾)、三途三郎(五條博 飾)、池四郎四兄弟雄踞于此,干著剪徑的營(yíng)生。此外,以冷眼少女庵(田中真理 飾)為首的7人疾風(fēng)少女組也在這里出沒。兩組人馬經(jīng)常聚會(huì),飲酒食肉,盡情享樂(lè)。某日,天魔太郎探得將有運(yùn)送120支槍的隊(duì)伍在附近經(jīng)過(guò),遂決定將其截丅。不過(guò)運(yùn)送方早有防備,天魔一伙撲了個(gè)空,而深噯太郎的庵技高一籌,搶丅這批槍支。 不久,少女們結(jié)伴去城中游玩,名叫奈奈(shan科ゆり 飾)的被追查槍支的人抓住折磨致死,疾風(fēng)少女組更遭到慘烈打擊。與此同時(shí),幕后的陰謀也慢慢浮出水面  

為你推薦

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

吞天巨鯊

陳外,程爽,成止微,秦宇

  太平洋某座生物研究所內(nèi),最新研究的魚類加速繁殖計(jì)劃得到了突破,并在繁殖力極低的鯊魚身上試驗(yàn)成功。實(shí)驗(yàn)室的科學(xué)家們大喜過(guò)望,稱這項(xiàng)研究將徹底解決全球食物問(wèn)題。只有總負(fù)責(zé)人博士袁聰認(rèn)為此舉會(huì)破壞現(xiàn)有的生態(tài)環(huán)境,力排眾議下令銷毀實(shí)驗(yàn)鯊魚。然而實(shí)驗(yàn)組的副手莫雷將這些鯊魚看成畢生心血,偷走幾條幼鯊準(zhǔn)備轉(zhuǎn)移,誰(shuí)知在路上被咬傷出了事故,幼鯊逃進(jìn)下水道進(jìn)入了大海。沒過(guò)多久,若干處海邊出現(xiàn)鯊魚群體襲擊事件,原來(lái)這些鯊魚的背后有一只超級(jí)巨大的母鯊......

一個(gè)叫小小船的男孩

J·K·西蒙斯,杰克·布塞,諾爾·古格雷米,盧·坦普爾,麗莎·德·拉佐,伯納德·庫(kù)里,Patricia Kalis,Jamille James,尼克·法內(nèi)爾,Julian Atocani Sanchez,Addam Bramich,Miranda Skerman,Keanu Wilson,Zeyah Pearson,杰西卡佩斯

  在飽受干旱困擾的小鎮(zhèn)中,一個(gè)拉美裔家庭給他們唯一的兒子取名為“帆船”。帆船給他的家人帶來(lái)了新的愛和希望。一天下午他帶回了一把小吉他。從這一刻起,帆船和他的吉他形影不離。病重的祖母希望他為她寫一首歌,帆船迎難而上,創(chuàng)作了有史以來(lái)最偉大的歌曲。

村“靚”了

陶慧敏,王毅凡,李藝,張明明,葉青青,朱嘉鎮(zhèn),陳鏡宇,隋抒洋,張家駿

  該片講述了新時(shí)代,主人公陳建國(guó)回到家鄉(xiāng),憑借創(chuàng)新精神和不懈努力,將曾經(jīng)“臟亂差”問(wèn)題突出的家鄉(xiāng)成功打造為遠(yuǎn)近聞名的民宿旅游村,不僅帶動(dòng)了鄉(xiāng)村經(jīng)濟(jì)的蓬勃發(fā)展,顯著改善了村民的生活環(huán)境,更是引領(lǐng)村民踏上了共同富裕的小康道路,深刻展現(xiàn)了鄉(xiāng)村振興、創(chuàng)新合作、青年擔(dān)當(dāng)以及鄉(xiāng)村發(fā)展的巨大潛力。

雙瞳

梁家輝,劉若英,戴立忍,大衛(wèi)·摩斯,楊貴媚,林涵,郎雄

 由于兩年前揭發(fā)同僚貪污,臺(tái)北警官黃火土(梁家輝)被上級(jí)報(bào)復(fù)調(diào)入冷門的外事組工作,利益也曾連帶受損的新同事對(duì)他怒言相向,加上妻子清芳(劉若英)受不了他長(zhǎng)期不回家要求離婚,黃火土感覺他的世界正在逐漸四分五裂。就在此時(shí),三宗受害者的身份并無(wú)關(guān)聯(lián)的震驚了臺(tái)灣社會(huì)的離奇命案發(fā)生,法醫(yī)(楊貴媚)驗(yàn)尸發(fā)現(xiàn)他們都是因中一種神秘的黑霉菌產(chǎn)生幻覺而死,因?yàn)槿狈Υ朔矫娴娜瞬牛?dāng)局從美國(guó)請(qǐng)來(lái)此種案例的偵辦專家凱文萊特(David Morse)協(xié)助破案,黃火土重被任用。隨著一樁令所有人都目瞪口呆的事實(shí)的被發(fā)現(xiàn),一場(chǎng)圍繞政治利益與民眾利益的斗爭(zhēng)也在黃火土和辦案伙伴李豐博(戴立忍)及整個(gè)警察隊(duì)伍之間展開。

村民總動(dòng)員

阿圖爾·巴奇斯,Angelika Cegielska-Swiatek,菲利普·古拉克斯,Mateusz Janicki,Piotr Pregowski,Anna Seniuk,安娜·希曼奇克,喬安娜·特茲佩西絲卡,Cezary Zak,維克多·茲波羅夫斯基

哈莉娜因?yàn)榻?jīng)濟(jì)困難被迫取消了婚禮,于是她的親友們決心制定一個(gè)瘋狂的計(jì)劃來(lái)吸引游客,增加收入。

孤獨(dú)的美食家 2025除夕特別篇

松重豐

  這是系列節(jié)目迎來(lái)第9年!2025年的跨年夜直播,將時(shí)隔5年再次恢復(fù)部分現(xiàn)場(chǎng)直播!  倒計(jì)時(shí)迫近,今年五郎依舊面臨“黃燈警報(bào)”!在跨年活動(dòng)中要分發(fā)的某種食材,今年又落在五郎頭上(嚴(yán)格來(lái)說(shuō)是被強(qiáng)行要求)。他將帶著自己那位小小的伙伴,奔走整個(gè)東日本。年末已經(jīng)成為傳統(tǒng)的這場(chǎng)奇妙旅程,今年又會(huì)在怎樣的土地上,遇見怎樣至高無(wú)上的美食呢?而五郎能否趕上2025年壓軸的大型活動(dòng)?請(qǐng)拭目以待!