狂野的愛 蘇菲瑪索

極地大冒險3

　　尼科的夢想要實(shí)現(xiàn)了！他和他的父親可以成為圣誕老人馴鹿隊(duì)的一員。然后突然斯特拉出現(xiàn)了，想要占有他的位置。雖然他們都在爭奪這個位置，但他們也成了朋友。但是，圣誕節(jié)前一天，雪橇被偷了！圣誕節(jié)有被取消的危險，只有尼科能救它。

我的曼啊：2025圣誕特別篇

一起過家家

　　妻子鮑一萌是頭部帶貨主播，丈夫宋李是全職丈夫，弟弟鮑鵬在復(fù)讀備戰(zhàn)高考。一天，三人意外發(fā)現(xiàn)互換身體。全家的靈魂與身體分別錯位。全職丈夫宋李（小舅子身）重回學(xué)校，懷念青春中彈琵琶的夢想，但繁重的學(xué)習(xí)生活，讓他感到力不從心。復(fù)讀生小舅子鮑鵬（妻子身）不懂管理公司，并在直播時狀況百出，女神小靜的奮斗讓他慚愧。主播鮑一萌（丈夫身）在輔導(dǎo)女兒的生活中發(fā)現(xiàn)，做家務(wù)和帶娃并不簡單。相比之下，丈夫開明的教育方式仿佛讓女兒的成長更美好。一家人決定支持宋李（小舅子身）重拾琵琶參與音樂比賽。深夜，宋李三人被關(guān)在冷藏車內(nèi)被凍得奄奄一息。他們終于換回來了！一家人的生活重新回到正軌，和諧美滿。

復(fù)仇1978

　　故事發(fā)生在1941年，希特勒支持的羅馬尼亞鐵衛(wèi)軍到處殘害人民，迫害共產(chǎn)黨員，陰謀進(jìn)行顛覆，取代安東尼斯庫政權(quán)，其中鐵衛(wèi)軍隊(duì)長巴拉班尤其嗜殺成性。安東尼斯庫政權(quán)保安機(jī)關(guān)的警長（后升為警察總監(jiān)）莫多萬在羅馬尼亞共產(chǎn)黨支持下,單槍匹馬深入虎穴和以巴拉班為首的鐵衛(wèi)軍展開血腥斗殺......

詭秘陰宅

 一對年幼的兄弟跟家人一起從大城市搬到偏遠(yuǎn)小鎮(zhèn)，卻發(fā)現(xiàn)新家并不單純。他們能否與新朋友們一起解開家中的險惡謎團(tuán)？

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.