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劇情簡(jiǎn)介
少女因父母離異獨(dú)自在家,某日遭司機(jī)酒后強(qiáng)暴,隔日卻又獲知因飛機(jī)失事身亡,傷心不已.少女接下其父事業(yè)發(fā)現(xiàn)經(jīng)理勾搭少女在外之姊姊共謀家產(chǎn),幸得司機(jī)相助化解困境,但司機(jī)決定離開(kāi),她失望之余卻求他......
同類好片
美國(guó)暴力
布魯斯·鄧恩,丹妮絲·理查茲,凱維·萊曼-默塞尤,哥倫布·紹特,羅布·格隆科夫斯基,邁克爾·帕爾,約翰尼·梅辛納,愛(ài)瑪·里格比,尼克·齊蘭德,帕特里克·基爾帕特里克,邁克爾·約翰·朗,米歇爾·圣托彼得羅,威洛·黑爾妖狐傳
馬倩倩,張競(jìng)達(dá),王昭,朱利安間諜2013
薛景求,文素利,高昌錫,安圣基,丹尼爾·亨利翠湖
李振平,王娟,李紅梅,劉蕾,李珂而,毛珍禧,祖尚炳皓 ,付斌,張會(huì)苓,張英偉村民總動(dòng)員
阿圖爾·巴奇斯,Angelika Cegielska-Swiatek,菲利普·古拉克斯,Mateusz Janicki,Piotr Pregowski,Anna Seniuk,安娜·希曼奇克,喬安娜·特茲佩西絲卡,Cezary Zak,維克多·茲波羅夫斯基校園往事
宋欣諾,吳長(zhǎng)浩,陽(yáng)院生,王海卓,陳升衛(wèi)人氣佳作
捏造
綾野剛,柴崎幸,龜梨和也,木村文乃,大倉(cāng)孝二,迫田孝也,光石研,北村一輝,小林薰靶場(chǎng)
凱莉·康奈爾,史蒂芬妮·皮爾森,羅德·埃爾南德斯,安東尼·科洛,阿萊克薩·伊姆斯,杰森·托比亞斯,Aion Boyd,Eric Matuschek,Ikumi Yoshimatsu,Hana Burson,Chris Powell,Graham Skipper,Nick Burson,Emory Lawrence泰國(guó)派
普洛伊·索娜琳,Machida Sutthikulphanich,Yorch Yongsin Wongpanitnont,Phintusuda Tunphairao,Yongsin Wongpanitnon,Lita Janvarapa,Jetarin Ratanaserikiat大怪獸加美拉
船越英二,北原義郎,浜村淳,大山健二,吉田義夫,左卜全,村田扶實(shí)子,大葉健二導(dǎo)演精選
猩球崛起
為了能讓身患老年癡呆癥的父親重回正常的生活,威爾·羅曼(詹姆斯·弗蘭科 James Franco 飾)一直致力于名為“Cure”的基因藥物的開(kāi)發(fā),并在大猩猩身上不斷進(jìn)行著藥物試驗(yàn)。在公司已經(jīng)失去信心的同時(shí),威爾繼續(xù)在家完成試驗(yàn),并在一只名為凱撒的大猩猩身上獲得成功。借助靈長(zhǎng)類學(xué)家卡洛琳(芙蕾達(dá)·平托 Freida Pinto 飾)的幫助,威爾發(fā)現(xiàn)凱撒的智力極大地提高。不過(guò),人類的社會(huì)始終無(wú)法接受擁有極高智力的凱撒,凱撒被送往了猩猩看護(hù)所??醋o(hù)所的殘酷對(duì)待,使得凱撒利用智慧進(jìn)行抗?fàn)?,最終救走了同時(shí)被囚禁的其他猩猩,而且對(duì)它們都使用了Cure。一群高智商的猩猩與人類對(duì)立的戰(zhàn)爭(zhēng)就此拉開(kāi)。本片獲得了第84屆奧斯卡最佳視覺(jué)效果的提名。
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
取款機(jī)殺人夜
一年一度的圣誕佳節(jié)終于到來(lái),在狂歡派對(duì)上,投資公司職員大衛(wèi)(布瑞恩·杰拉夫迪 Brian Geraghty 飾)終于鼓起勇氣向剛剛辭職的美麗女職員艾蜜莉(艾麗絲·伊芙 Alice Eve 飾)搭話,聚會(huì)中途,二人驅(qū)車和他們的朋友科瑞(喬什·派克 Josh Peck 飾)一同返回。此時(shí)已近深夜,希望買點(diǎn)兒什么吃的的三個(gè)人進(jìn)入某自動(dòng)提款機(jī)服務(wù)站取錢,可是正待出門時(shí)卻發(fā)現(xiàn)一個(gè)神秘陰森的身影站在外面,后者更在眾目睽睽之下殺了一個(gè)陌生的流浪漢。 大衛(wèi)等人就這樣被困在方寸之間,看似隨機(jī)的襲擊事件,一切似乎又盡在神秘之人的掌控之中,他們最終能否逃脫?還是成為恐怖襲擊者的犧牲品?